A Manner of Speaking: For Effective CommunicationPutnam, 1961 - 362 Seiten |
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Seite 54
... complete vibrations per second . When anything is repeated over and over again , each complete occurrence is called a cycle . While a swinging clock pendulum , for example , moves from any posi- tion to one extreme of its arc then back ...
... complete vibrations per second . When anything is repeated over and over again , each complete occurrence is called a cycle . While a swinging clock pendulum , for example , moves from any posi- tion to one extreme of its arc then back ...
Seite 122
... complete closure of the vocal passage , which closure is then suddenly released under breath pressure : p - voiceless b - voiced 3 } Closure made with the lips . t - voiceless d - voiced ' } Closure made with the tongue on the gum ridge ...
... complete closure of the vocal passage , which closure is then suddenly released under breath pressure : p - voiceless b - voiced 3 } Closure made with the lips . t - voiceless d - voiced ' } Closure made with the tongue on the gum ridge ...
Seite 129
... complete the pronuncia- tion according to his habitual way of pronouncing these words . Beginners reading transcription sometimes read whole sentences by recognizing only a few key words and filling in the rest from context . Practice ...
... complete the pronuncia- tion according to his habitual way of pronouncing these words . Beginners reading transcription sometimes read whole sentences by recognizing only a few key words and filling in the rest from context . Practice ...
Inhalt
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
THE REPRESENTATION OF SPEECH SOUNDS | 115 |
EAR TRAINING | 152 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure Caesar cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words