A Manner of Speaking: For Effective CommunicationPutnam, 1961 - 362 Seiten |
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Seite 69
... muscular activity of two complex sets of muscles that have opposing functions . For the first phase , which is that of drawing air into the lungs , some muscles raise the rib cage slightly while other muscles lower the diaphragm and ...
... muscular activity of two complex sets of muscles that have opposing functions . For the first phase , which is that of drawing air into the lungs , some muscles raise the rib cage slightly while other muscles lower the diaphragm and ...
Seite 70
... muscles used in inhaling breath are strengthened by the exercise of this type of shallow breathing . Other shallow breathers tend to avoid the use of muscles that are located as low as the diaphragm and use instead muscles of the upper ...
... muscles used in inhaling breath are strengthened by the exercise of this type of shallow breathing . Other shallow breathers tend to avoid the use of muscles that are located as low as the diaphragm and use instead muscles of the upper ...
Seite 78
... muscles controlling the tension of the vocal cords control the major pitch changes of the voice and certain incidental changes in vocal quality . Although the muscles in and around the vocal cords are very small , they do not need to be ...
... muscles controlling the tension of the vocal cords control the major pitch changes of the voice and certain incidental changes in vocal quality . Although the muscles in and around the vocal cords are very small , they do not need to be ...
Inhalt
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
THE REPRESENTATION OF SPEECH SOUNDS | 115 |
EAR TRAINING | 152 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure Caesar cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words