A Manner of Speaking: For Effective CommunicationPutnam, 1961 - 362 Seiten |
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Seite 70
... muscular exertion . Consequently , only the muscles used in inhaling breath are strengthened by the exercise of this type of shallow breathing . Other shallow breathers tend to avoid the use of muscles that are located as low as the ...
... muscular exertion . Consequently , only the muscles used in inhaling breath are strengthened by the exercise of this type of shallow breathing . Other shallow breathers tend to avoid the use of muscles that are located as low as the ...
Seite 79
... muscular control . The two nasal cavities also are somewhat limited in terms of muscular control . These cavities are fixed in shape and are capable of only negligible expansion or contraction of size . By means of the soft palate ...
... muscular control . The two nasal cavities also are somewhat limited in terms of muscular control . These cavities are fixed in shape and are capable of only negligible expansion or contraction of size . By means of the soft palate ...
Seite 83
... muscular relaxation rather than by muscular force . Conse- quently , the muscular exercise gained through shallow breath- ing does not strengthen the muscles that might exert strong pressure on the exhaled breath . 5. The air passage ...
... muscular relaxation rather than by muscular force . Conse- quently , the muscular exercise gained through shallow breath- ing does not strengthen the muscles that might exert strong pressure on the exhaled breath . 5. The air passage ...
Inhalt
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
THE REPRESENTATION OF SPEECH SOUNDS | 115 |
EAR TRAINING | 152 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure Caesar cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words