A Manner of Speaking: For Effective CommunicationPutnam, 1961 - 362 Seiten |
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Seite 43
... OBSERVE ! A simple matter - one , I dare say , which it will seem to you difficult not to follow . You have a pair of eyes ; how can you fail to observe ? Ah , but eyes can only look ; that is not observing . You want to observe , not ...
... OBSERVE ! A simple matter - one , I dare say , which it will seem to you difficult not to follow . You have a pair of eyes ; how can you fail to observe ? Ah , but eyes can only look ; that is not observing . You want to observe , not ...
Seite 92
... observation aided , at least initially , by a specialist in speech training who can help one to recognize the ac- cepted criteria of good voice and the changes necessary for vocal improvement . Equipment that can be used to record and ...
... observation aided , at least initially , by a specialist in speech training who can help one to recognize the ac- cepted criteria of good voice and the changes necessary for vocal improvement . Equipment that can be used to record and ...
Seite 156
... Observation and Judgment Improvement of one's auditory observation and critical judgment of his own basic voice quality , as indicated in Chapter 4 , may require the aid of a specialized teacher and perhaps the help of some means of ...
... Observation and Judgment Improvement of one's auditory observation and critical judgment of his own basic voice quality , as indicated in Chapter 4 , may require the aid of a specialized teacher and perhaps the help of some means of ...
Inhalt
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
THE REPRESENTATION OF SPEECH SOUNDS | 115 |
EAR TRAINING | 152 |
Urheberrecht | |
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accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure Caesar cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words