A Manner of Speaking: For Effective CommunicationPutnam, 1961 - 362 Seiten |
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Seite 220
... play only one role in a single play on a run - of - the - show basis , and his need for a cultivated diction of any kind will usually depend upon the cultural level of the role that he plays . Some actors might actually find a ...
... play only one role in a single play on a run - of - the - show basis , and his need for a cultivated diction of any kind will usually depend upon the cultural level of the role that he plays . Some actors might actually find a ...
Seite 277
... play and he speaks directly to other actors who are playing other stage characters in carefully rehearsed scenes . The actor's speech personality is carefully developed during a rehearsal period - even to the extent of eliminating many ...
... play and he speaks directly to other actors who are playing other stage characters in carefully rehearsed scenes . The actor's speech personality is carefully developed during a rehearsal period - even to the extent of eliminating many ...
Seite 313
... play . So when Cooney died at second , and Burrows did the same , A sickly silence fell upon the patrons of the game . A straggling few got up to go , in deep despair the rest Clung to the hope that springs eternal in the human breast ...
... play . So when Cooney died at second , and Burrows did the same , A sickly silence fell upon the patrons of the game . A straggling few got up to go , in deep despair the rest Clung to the hope that springs eternal in the human breast ...
Inhalt
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
THE REPRESENTATION OF SPEECH SOUNDS | 115 |
EAR TRAINING | 152 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure Caesar cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words