A Manner of Speaking: For Effective CommunicationPutnam, 1961 - 362 Seiten |
Im Buch
Ergebnisse 1-3 von 34
Seite 140
... represented in most dictionaries by " ŭ . " It is a sound that occurs only in accented syllables , being replaced by the " " sound in all unaccented syllables . It is represented by various spellings in such words as : cut , does ...
... represented in most dictionaries by " ŭ . " It is a sound that occurs only in accented syllables , being replaced by the " " sound in all unaccented syllables . It is represented by various spellings in such words as : cut , does ...
Seite 142
... represented in most dictionaries by " a . " The " e " sound hardly ever occurs alone in American speech , although the single symbol may be used without danger of confusion in free or inexact transcription . The " er " sound occurs ...
... represented in most dictionaries by " a . " The " e " sound hardly ever occurs alone in American speech , although the single symbol may be used without danger of confusion in free or inexact transcription . The " er " sound occurs ...
Seite 143
... represented in most dictionaries by " ou . " It is variously spelled in such words as : Faust , mouse , and now . One may hear such slight variations of this diph- thong as : " au , " " au , " " au , " and " au " -all of which would be ...
... represented in most dictionaries by " ou . " It is variously spelled in such words as : Faust , mouse , and now . One may hear such slight variations of this diph- thong as : " au , " " au , " " au , " and " au " -all of which would be ...
Inhalt
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
THE REPRESENTATION OF SPEECH SOUNDS | 115 |
EAR TRAINING | 152 |
Urheberrecht | |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure Caesar cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words