A Manner of Speaking: For Effective CommunicationPutnam, 1961 - 362 Seiten |
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Seite 248
... variations in the relative significance they attach to the words . Nevertheless , the tonal expression of meanings is con- ventionalized sufficiently to permit the average listener to understand perfectly the intended meanings as they ...
... variations in the relative significance they attach to the words . Nevertheless , the tonal expression of meanings is con- ventionalized sufficiently to permit the average listener to understand perfectly the intended meanings as they ...
Seite 249
... variations that make up the intonation patterns of speech . Kinds of Emphasis and Subordination : The effects of em- phasis and subordination in speech are always gained through variation or contrast of force , pitch , timing , and ...
... variations that make up the intonation patterns of speech . Kinds of Emphasis and Subordination : The effects of em- phasis and subordination in speech are always gained through variation or contrast of force , pitch , timing , and ...
Seite 256
... variations in pitch , force , timing , and quality . But it is unlike a musical melody in two important respects . First , it is only a means to an end while music is an end in itself . And second , its changes are not regular and ...
... variations in pitch , force , timing , and quality . But it is unlike a musical melody in two important respects . First , it is only a means to an end while music is an end in itself . And second , its changes are not regular and ...
Inhalt
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
THE REPRESENTATION OF SPEECH SOUNDS | 115 |
EAR TRAINING | 152 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure Caesar cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words