A Manner of Speaking: For Effective CommunicationPutnam, 1961 - 362 Seiten |
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Seite 56
... vibrate . So we see that pitch may be determined to some extent by the thickness of a vibrating string or it may be controlled by adjustment of the tension or the length of that part of the string that is made to vibrate . We may expect ...
... vibrate . So we see that pitch may be determined to some extent by the thickness of a vibrating string or it may be controlled by adjustment of the tension or the length of that part of the string that is made to vibrate . We may expect ...
Seite 57
... vibrate , will vibrate as a whole and , at the same time , it will vibrate in several seg- ments or subdivisions of the whole . Such a complex mode of vibration will create a complex sound wave . The whole string , vibrating at its ...
... vibrate , will vibrate as a whole and , at the same time , it will vibrate in several seg- ments or subdivisions of the whole . Such a complex mode of vibration will create a complex sound wave . The whole string , vibrating at its ...
Seite 59
... vibrating fork firmly against a table top , the sound would instantly seem much louder . The table top acts as a sounding board because it is forced to vibrate in unison with the tuning fork . The sound wave initiated by the vibrating ...
... vibrating fork firmly against a table top , the sound would instantly seem much louder . The table top acts as a sounding board because it is forced to vibrate in unison with the tuning fork . The sound wave initiated by the vibrating ...
Inhalt
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
THE REPRESENTATION OF SPEECH SOUNDS | 115 |
EAR TRAINING | 152 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure Caesar cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words