A Manner of Speaking: For Effective CommunicationPutnam, 1961 - 362 Seiten |
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Seite 77
... vocal cords . The common name , vocal cords , is not a descriptive name . In other words , the vocal cords are not like the strings of a violin as the name seems to imply . As indicated previously , they are more like lips or folds that ...
... vocal cords . The common name , vocal cords , is not a descriptive name . In other words , the vocal cords are not like the strings of a violin as the name seems to imply . As indicated previously , they are more like lips or folds that ...
Seite 96
... vocal qualifications and objectives . The Elimination of Unnecessary Tensions : Muscular ten- sions in the vocal mechanism may be perceived as harsh or strained qualities of voice . Such tensions almost inevitably accompany any new or ...
... vocal qualifications and objectives . The Elimination of Unnecessary Tensions : Muscular ten- sions in the vocal mechanism may be perceived as harsh or strained qualities of voice . Such tensions almost inevitably accompany any new or ...
Seite 101
... vocal fault that is fairly common , particularly among men who have abused their vocal instruments by overly tense use in shouting or bombastic speaking . A school cheerleader or the type of political speaker or clergyman who attempts ...
... vocal fault that is fairly common , particularly among men who have abused their vocal instruments by overly tense use in shouting or bombastic speaking . A school cheerleader or the type of political speaker or clergyman who attempts ...
Inhalt
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
THE REPRESENTATION OF SPEECH SOUNDS | 115 |
EAR TRAINING | 152 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure Caesar cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words