The Raft of Odysseus: The Ethnographic Imagination of Homer's OdysseyOxford University Press, 05.04.2001 - 256 Seiten The Raft of Odysseus looks at the fascinating intersection of traditional myth with an enthnographically-viewed Homeric world. Carol Dougherty argues that the resourcefulness of Odysseus as an adventurer on perilous seas served as an example to Homer's society which also had to adjust in inventive ways to turbulent conditions. The fantastic adventures of Odysseus act as a prism for the experiences of Homer's own listeners--traders, seafarers, storytellers, soldiers--and give us a glimpse into their own world of hopes and fears, 500 years after the Iliadic events were supposed to have happened. |
Inhalt
| 19 | |
Poetic Profit | 38 |
Travel and Song | 61 |
Phaeacia Gateway to the Ethnographic Imagination | 79 |
A Brave New World | 81 |
Phaeacians and Phoenicians Overseas Trade | 102 |
Phaeacians and Cyclopes Overseas Settlement | 122 |
Phaeacians and Euboeans Greeks Overseas | 143 |
Home at Last | 159 |
Odysseus Returned and Ithaca Refounded | 161 |
From Raft to Bed | 177 |
Notes | 185 |
| 223 | |
| 237 | |
Andere Ausgaben - Alle anzeigen
The Raft of Odysseus: The Ethnographic Imagination of Homer's Odyssey Carol Dougherty Eingeschränkte Leseprobe - 2001 |
The Raft of Odysseus: The Ethnographic Imagination of Homer's Odyssey Carol Dougherty Eingeschränkte Leseprobe - 2001 |
The Raft of Odysseus: The Ethnographic Imagination of Homer's Odyssey Carol Dougherty Keine Leseprobe verfügbar - 2001 |
Häufige Begriffe und Wortgruppen
Alcinous archaic Greece archaic period argues aristocratic articulate association Athena audience Book bring bronze Calypso cannibalism cargo Catalogue of Ships chapter colonial construction context cultural Cyclopes Demodocus discussion early archaic encounter epic ethnographic imagination Euboeans Eumaeus experience framework gift exchange gold Golden Age Greek helps hero Hesiod Homeric Ibycus ideal Iliad imagery island Ithaca journey Laestrygonians land landscape Léry's literary marriage Menelaus metals metaphor metapoetic mobility Morris Muses mythic narrative truth Nausicaa nautical notion Odysseus Odysseus tells offers overseas travel palace passage Penelope Phaeacians Phoenicians Pindar poem poem's poet poetic poetry Polyphemus Poseidon potential productive profit raft relationship represent return home Ridgway role sailing Scheria settlement ships and song shipwreck sing skill story structure suggests suitors tale Taphians Teiresias Telemachus Tempest themes tion trade tradition Troy Zeus ἀλλ ἄρα γὰρ δὲ ἐν ἔνθα ἐπὶ καὶ μὲν οἱ οὐ τε καὶ
Beliebte Passagen
Seite 8 - ... of what he is doing ("practicing a burlesque of a friend faking a wink to deceive an innocent into thinking a conspiracy is in motion") lies the object of ethnography: a stratified hierarchy of meaningful structures in terms of which twitches, winks, fakewinks, parodies, rehearsals of parodies are produced, perceived, and interpreted, and without which they would not...
Seite 27 - Their ships are wretched affairs, and many of them get lost ; for they have no iron fastenings, and are only stitched together with twine made from the husk of the Indian nut. They beat this husk until it becomes like horse-hair, and from that they spin twine, and with this stitch the planks of the ships together. It keeps well, and is not corroded by the sea-water, but it will not stand well in a storm.
Seite 13 - tis true, I must be here confin'd by you, Or sent to Naples. Let me not, Since I have my dukedom got, And pardon'd the deceiver, dwell In this bare island by your spell; But release me from my bands With the help of your good hands. Gentle breath of yours my sails Must fill, or else my project fails, Which was to please.
Seite 8 - Consider, he says, two boys rapidly contracting the eyelids of their right eyes. In one, this is an involuntary twitch; in the other, a conspiratorial signal to a friend. The two movements are, as movements, identical; from an I-am-a-camera, "phenomenalistic...
Seite 5 - Meanwhile, the conception of space that has been developed here suggests that a model of political culture appropriate to our own situation will necessarily have to raise spatial issues as its fundamental organizing concern.
Seite 5 - I mean to signal by that term processes that so revolutionize the objective qualities of space and time that we are forced to alter, sometimes in quite radical ways, how we represent the world to ourselves.