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Seite 14
The aim is to continue this expansion , allowing the This flexible medium allows us to explore and reveal collaged system to override the surrounding environpersonal statements about a non - scaled architectural ment . landscape .
The aim is to continue this expansion , allowing the This flexible medium allows us to explore and reveal collaged system to override the surrounding environpersonal statements about a non - scaled architectural ment . landscape .
Seite 30
... since the Renaissance , has been based on which then allows for harmony and equilibrium free of the Aristotelian principle of deduction — that all repre- stylistic imitations . . sentation is deduced from the general principles of ...
... since the Renaissance , has been based on which then allows for harmony and equilibrium free of the Aristotelian principle of deduction — that all repre- stylistic imitations . . sentation is deduced from the general principles of ...
Seite 34
The unlimited ability of water to carry infrastructure --- Regional ( Cartographic Waterworks ) , metaphor allows for the co - existence of these per- the Civic ( Topographic Theaters ) and the Domestic sonae / the existence of this ...
The unlimited ability of water to carry infrastructure --- Regional ( Cartographic Waterworks ) , metaphor allows for the co - existence of these per- the Civic ( Topographic Theaters ) and the Domestic sonae / the existence of this ...
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activity allows American architect architecture asked attempt Bearings begin building built Center challenge communication concept concerns connections consideration considered Construction contemporary context continue create creative critical cultural design process disciplines drawing East elements empty environment Environmental exchange exhibition experience experimentation exploration framework gallery HARIRI ideas important individual Institute intent involved issues landscape Left light look Mark Robbins mass material means ments method MICHIGAN models nature North objects observation offer Opposite Parsons School particular pedagogical perception physical plane port position possible potential practice present questions reality realization recent relates relationship represent require scale School of Design sculpture sense sometimes sources space spatial specific stand structure student studio submissions suggest teachers teaching theoretical things tion ture understand University urban vision visual York