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Seite 22
MICHAEL CAREY CRANFILL Sand Dragons are each possessed of a corresponding transience ; with this remarkable unity of intent we must here consider scale . The passenger jet comes in close overhead , rupturing the vapors , recalling the ...
MICHAEL CAREY CRANFILL Sand Dragons are each possessed of a corresponding transience ; with this remarkable unity of intent we must here consider scale . The passenger jet comes in close overhead , rupturing the vapors , recalling the ...
Seite 48
It is history , guided by a sense of its continuity , and focused round , as we all can be sure of , finally ; it is continuous ; on the intent and hope of making place an embodiment it is open and expansive . And though all of this has ...
It is history , guided by a sense of its continuity , and focused round , as we all can be sure of , finally ; it is continuous ; on the intent and hope of making place an embodiment it is open and expansive . And though all of this has ...
Seite
... have been carefully “ placed ” to and looked at " abstractly , ” there is the possibility that conform to an image conceived through drawing . the student will develop a more refined visual literacy . It is my intent to force the ...
... have been carefully “ placed ” to and looked at " abstractly , ” there is the possibility that conform to an image conceived through drawing . the student will develop a more refined visual literacy . It is my intent to force the ...
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activity allows American architect architecture asked attempt Bearings begin building built Center challenge communication concept concerns connections consideration considered Construction contemporary context continue create creative critical cultural design process disciplines drawing East elements empty environment Environmental exchange exhibition experience experimentation exploration framework gallery HARIRI ideas important individual Institute intent involved issues landscape Left light look Mark Robbins mass material means ments method MICHIGAN models nature North objects observation offer Opposite Parsons School particular pedagogical perception physical plane port position possible potential practice present questions reality realization recent relates relationship represent require scale School of Design sculpture sense sometimes sources space spatial specific stand structure student studio submissions suggest teachers teaching theoretical things tion ture understand University urban vision visual York