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Seite 22
The site is not modeled port of unfamiliar , and his native Kentucky . It is aptly as an erasure , an idealized " tabula rasa " whose monosubtitled “ Transient Housing ” —both the shelters and logical domination of the realm of the ...
The site is not modeled port of unfamiliar , and his native Kentucky . It is aptly as an erasure , an idealized " tabula rasa " whose monosubtitled “ Transient Housing ” —both the shelters and logical domination of the realm of the ...
Seite 38
Once the active port for the industrial city . Ships . Barges . Freight and longshoreman . America's manufacturing mecca . Endless basilicas in glass and steel suspended over the water . Trusses . Cranes . Horizontal warehouses as long ...
Once the active port for the industrial city . Ships . Barges . Freight and longshoreman . America's manufacturing mecca . Endless basilicas in glass and steel suspended over the water . Trusses . Cranes . Horizontal warehouses as long ...
Seite 65
Opposite page Bright Bowed River Overview Construction Left Matthew C. Hoffman Jewelry Shop : Portcullis - Step 4 8 PORT CU LLIS STEP 4 COLE Opposite page A Meditation on the Boston Gettysburg Cyclorama (
Opposite page Bright Bowed River Overview Construction Left Matthew C. Hoffman Jewelry Shop : Portcullis - Step 4 8 PORT CU LLIS STEP 4 COLE Opposite page A Meditation on the Boston Gettysburg Cyclorama (
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activity allows American architect architecture asked attempt Bearings begin building built Center challenge communication concept concerns connections consideration considered Construction contemporary context continue create creative critical cultural design process disciplines drawing East elements empty environment Environmental exchange exhibition experience experimentation exploration framework gallery HARIRI ideas important individual Institute intent involved issues landscape Left light look Mark Robbins mass material means ments method MICHIGAN models nature North objects observation offer Opposite Parsons School particular pedagogical perception physical plane port position possible potential practice present questions reality realization recent relates relationship represent require scale School of Design sculpture sense sometimes sources space spatial specific stand structure student studio submissions suggest teachers teaching theoretical things tion ture understand University urban vision visual York