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Seite 18
Neither can be elimi- innovation ; program and site ; the retinal and tactile ; nated without destroying architecture's specific virtues . and the structure of space and the structure of form . Content is developed and intentional ...
Neither can be elimi- innovation ; program and site ; the retinal and tactile ; nated without destroying architecture's specific virtues . and the structure of space and the structure of form . Content is developed and intentional ...
Seite 22
The arthe structures , which mediate land / sea and air , realms chitect is to re - negotiate a stillness in the corruption of reflection and traversal . Site , program , and structure implicit to dwelling . a 2425 CRANFILL DEBORAH GANS ...
The arthe structures , which mediate land / sea and air , realms chitect is to re - negotiate a stillness in the corruption of reflection and traversal . Site , program , and structure implicit to dwelling . a 2425 CRANFILL DEBORAH GANS ...
Seite 31
Preceeding page In the New York City Residence the " structure " is inserted within an existing envelope , testing the physical coexistence of and the spatial conditions created by the two . Left The Hybrid Stair is a " structure " made ...
Preceeding page In the New York City Residence the " structure " is inserted within an existing envelope , testing the physical coexistence of and the spatial conditions created by the two . Left The Hybrid Stair is a " structure " made ...
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activity allows American architect architecture asked attempt Bearings begin building built Center challenge communication concept concerns connections consideration considered Construction contemporary context continue create creative critical cultural design process disciplines drawing East elements empty environment Environmental exchange exhibition experience experimentation exploration framework gallery HARIRI ideas important individual Institute intent involved issues landscape Left light look Mark Robbins mass material means ments method MICHIGAN models nature North objects observation offer Opposite Parsons School particular pedagogical perception physical plane port position possible potential practice present questions reality realization recent relates relationship represent require scale School of Design sculpture sense sometimes sources space spatial specific stand structure student studio submissions suggest teachers teaching theoretical things tion ture understand University urban vision visual York