On ActingSimon and Schuster, 1986 - 397 Seiten A personal account of the actor's own training. Also analyzes the greatest roles of his career and gives his insights into the art of acting. |
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Seite 13
... felt it was about time I put the real facts of my life down on paper as truthfully as I could express them , without the added trimmings of the sensational . Once it was finished , I felt that I'd got rid of a huge chore ; the weight ...
... felt it was about time I put the real facts of my life down on paper as truthfully as I could express them , without the added trimmings of the sensational . Once it was finished , I felt that I'd got rid of a huge chore ; the weight ...
Seite 155
... felt the movement come to me . Slowly it came : lithe , dignified and sensual . Lilting , yet positive . I felt that Othello spoke quite differently from any other character in Shakespeare : he speaks like a foreigner who's learned the ...
... felt the movement come to me . Slowly it came : lithe , dignified and sensual . Lilting , yet positive . I felt that Othello spoke quite differently from any other character in Shakespeare : he speaks like a foreigner who's learned the ...
Seite 212
... felt old - fashioned . Inside myself I am seventeen , with red cheeks . But I felt that to the youth at the Royal Court , as my wife Joan later corroborated , I seemed Establishment , and probably set in my theatrical ways 212 LAURENCE ...
... felt old - fashioned . Inside myself I am seventeen , with red cheeks . But I felt that to the youth at the Royal Court , as my wife Joan later corroborated , I seemed Establishment , and probably set in my theatrical ways 212 LAURENCE ...
Inhalt
PROLOGUE | 13 |
TWO Lessons from the Past | 35 |
PART | 67 |
Urheberrecht | |
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acting actor Antony Archie Rice audience beautiful began believe Birmingham Repertory Theatre Burbage camera character Cleopatra course critics dear directed director Entertainer everything eyes face father feel felt film friends Garrick George Cukor give Granada Guthrie Hamlet hand happened head Henry Hollywood Iago imagination Irving Joan Plowright John Burrell John Gielgud Kean King knew Lady laugh Laurence Olivier Lear learned lines London look Macbeth makeup medium mind National Theatre never night Noël Coward nose Old Vic Theatre once Othello pause performance perhaps play Ralph Richardson rehearsal remember Richard Richard III role Romeo round scene screen Shakespeare Shylock smile speaking speech stage star success suppose sure talent talk television tell theatrical there's thing thought Tony turn Tyrone Tyrone Guthrie verse Vivien voice W. G. Fay waiting walk wanted wonderful words Wyler young