Some Shakespearean ThemesChatto & Windus, 1959 - 183 Seiten |
Im Buch
Ergebnisse 1-3 von 14
Seite 114
... CORDELIA . O my dear father ! Restoration hang Thy medicine on my lips , and let this kiss Repair those violent harms that my two sisters Have in thy reverence made KENT . Kind and dear Princess ! CORDELIA . Had you not been their ...
... CORDELIA . O my dear father ! Restoration hang Thy medicine on my lips , and let this kiss Repair those violent harms that my two sisters Have in thy reverence made KENT . Kind and dear Princess ! CORDELIA . Had you not been their ...
Seite 115
... CORDELIA . He wakes ; speak to him . DOCTOR . Madam , do you ; ' tis fittest . CORDELIA . How does my royal Lord ? How fares your Majesty ? LEAR . You do me wrong to take me out o ' th ' Thou art a soul in bliss ; but I am bound Upon a ...
... CORDELIA . He wakes ; speak to him . DOCTOR . Madam , do you ; ' tis fittest . CORDELIA . How does my royal Lord ? How fares your Majesty ? LEAR . You do me wrong to take me out o ' th ' Thou art a soul in bliss ; but I am bound Upon a ...
Seite 117
... Cordelia dead in his arms ' . The scene of Lear's final anguish is so painful that criticism hesitates to fumble with it : where no one can remain unaffected the critic's business is to supply some- thing other than his own emotions ...
... Cordelia dead in his arms ' . The scene of Lear's final anguish is so painful that criticism hesitates to fumble with it : where no one can remain unaffected the critic's business is to supply some- thing other than his own emotions ...
Inhalt
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Eingeschränkte Leseprobe - 1966 |
Häufige Begriffe und Wortgruppen
action answer Antony appearance aspects aware brings CHAPTER character close comes concerned Cordelia course criticism death defined direction directly doth effect element Elizabethan essay essential evil experience expressed fact feel final follow Fool force give given Gloucester hand hath heart Henry honour human imagery images imaginative insistence interest John kind King Lear Lear's less lines living look Macbeth meaning merely MICHIGAN mind moral murder nature particular passage pattern peace phrase play poet poetry political possible present question reality reason references relation represent revealed scene seems sense Shakespeare shows significance simply Sonnets speak speech stand suggestion themes things thou thought tion tragedies Troilus true truth Ulysses UNIVERSITY values vision whole