Dramatic Discourse: Dialogue as Interaction in PlaysPsychology Press, 1998 - 331 Seiten Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance. |
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... turn - taking : general Sequencing of turns : general Drama and the systematics of turn - taking 91 Turn change options Turn constructional strategies : distribution , order and length 114 3 Turn sequencing Turn sequencing in drama ix ...
... turn - taking : general Sequencing of turns : general Drama and the systematics of turn - taking 91 Turn change options Turn constructional strategies : distribution , order and length 114 3 Turn sequencing Turn sequencing in drama ix ...
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Inhalt
Introduction | 1 |
Dialogue interaction utterance | 13 |
The ethnography of speaking | 35 |
Ethnomethodology and conversation analysis | 76 |
length | 114 |
Turn sequencing | 149 |
Pragmatics | 164 |
30 | 178 |
37 | 199 |
Gender and language | 245 |
48 | 248 |
306 | |
309 | |
319 | |
323 | |
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Häufige Begriffe und Wortgruppen
action assessed assumptions attempts audience Bach and Harnish behaviour beliefs characters cognitive communication concept conflict constructed context conventional conversation Coriolanus course cultural deictic deixis Desdemona dialogue discourse dominance effects enacted express fact fashion female feminists fictional fictional world floor forms function gender given goals Goneril Grice Hamlet Harry hearer Iago ibid identity illocutionary illocutionary act illocutionary force implicatures indirect inferences instance institutional intention inter-personal interaction interpretation involved issues J. L. Austin kind Laertes language Lear linguistic locutionary act male Maurya Maxim meaning mode mutual norms notion Ophelia options Othello participants patriarchal Paul Grice performance perlocutionary perlocutionary act phatic play political Polonius possible pragmatic questions relations relevant response role rules Sarah scene sequence sexuality silence situation social speak speaker speech acts speech event Sperber and Wilson strategies structure tag questions talk theory tion topic turn turn-taking utterance women
Verweise auf dieses Buch
Improvised Dialogues: Emergence and Creativity in Conversation Robert Keith Sawyer Keine Leseprobe verfügbar - 2003 |
Exploring the Language of Drama: From Text to Context Jonathan Culpeper,Mick Short,Peter Verdonk Eingeschränkte Leseprobe - 1998 |