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admiration daily produced Amsterdam Arcadian purity Art was engrained Birmingham botanist brethren—who cared broadcloth—were constructing the catapult creations are excused Crystal Palace designer of quaint dignity discomforts of senseless drank alike dutifully the casual Elgin marbles facture false prophets favourite faith fection only—having field—this designer fire—this dreamer gallant—to be enticed gestion of Nature goddess of dainty Gods gourd—and drank Greece Greeks habit hopeless and false horse is scorned Infantas it—has been brought Italians were artists—all—and keyboard Ladies and Gentlemen lovely to look master masterpieces—for might—and Art naught noble painter painting that elevates palaces Pallas Athene panel that merely passing gallant—to Paul Veronese poet have proffered poetry proportion and lovely Queen Anne reigned supreme—by force resembling the gourd rest upon couches ring of religion sacred poet spoon of Queen steam horse supposed aphorism become touch of Nature unlimited admiration daily vase was born Venetians wander in groves—could worthy a picture
Seite 3 - And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us...
Seite 3 - The sun blares, the wind blows from the east, the sky is bereft of cloud, and without, all is of iron. The windows of the Crystal Palace are seen from all points of London. The holiday-maker rejoices in the glorious day, and the painter turns aside to shut his eyes.
Seite 13 - The master stands in no relation to the moment at which he occurs - a monument of isolation - hinting at sadness - having no part in the progress of his fellow-men.
Seite 2 - Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artist is born to pick, and choose, and group with science, these elements, that the result may be beautiful — as the musician gathers his notes, and forms his chords, until he bring forth from chaos glorious harmony.
Seite 2 - That Nature is always right, is an assertion, artistically, as untrue, as it is one whose truth is universally taken for granted. Nature is very rarely right, to such an extent even, that it might almost be said that Nature is usually wrong: that is to say, the condition of things that shall bring about the perfection of harmony worthy a picture is rare, and not common at all. This would seem, to even the most intelligent, a doctrine almost blasphemous. So incorporated with our education has the...
Seite 13 - He is also no more the product of civilisation than is the scientific truth asserted, dependent upon the wisdom of a period. The assertion itself requires the <man> to make it - the truth was from the beginning.