The master stands in no relation to the moment at which he occurs - a monument of isolation - hinting at sadness - having no part in the progress of his fellow-men. "Ten O'clock," - Seite 25von James McNeill Whistler - 1888 - 29 SeitenVollansicht - Über dieses Buch
| James McNeill Whistler - 1896 - 40 Seiten
...— combining in their person the motley of many manners with the medley of the mummers' closet. «s Why this lifting of the brow in deprecation of the...this pathos in reference to the past ? If Art be rare to day, it was seldom heretofore. It is false, this teaching of decay. The master stands in no relation... | |
| Arthur Jerome Eddy - 1903 - 362 Seiten
...by force of fact, not by election, — and there was no meddling by the outsider." Again he says : " The master stands in no relation to the moment at...at sadness, having no part in the progress of his fellow-men." Those are the propositions which called out the reply — positive and intemperate —... | |
| James McNeill Whistler - 1904 - 364 Seiten
...warning, and a finger-post of danger, they point to the disastrous effect of Art upon the middle classes. Why this lifting of the brow in deprecation of the...sadness — having no part in the progress of his fellow-men. He is also no more the product of civilisation than is the scientific truth asserted dependent... | |
| James McNeill Whistler - 1904 - 370 Seiten
...warning, and a finger-post of danger, they point to the disastrous effect of Art upon the middle classes. which he occurs — a monument of isolation — hinting...sadness — having no part in the progress of his ^jgllow-men. r He is also no more the product of civilisation than ' is the scientific truth asserted... | |
| Hans Wolfgang Singer - 1905 - 138 Seiten
...Listen ! There never was an artistic period. " There never was an art-loving nation." • • * • % " Why this lifting of the brow in deprecation of the...— a monument of isolation — hinting at sadness — and having no part in the progress of his fellow men. " He is also no more the product of civilisation... | |
| Hans Wolfgang Singer - 1910 - 138 Seiten
...never was an art-loving nation." " Why this lifting of the brow in deprecation of the present—this pathos in reference to the past ? " If Art be rare...master stands in no relation to the moment at which he occurs—a monument of isolation— hinting at sadness—and having no part in the progress of his... | |
| Esmé Wingfield-Stratford - 1913 - 696 Seiten
...prose masterpiece as perfect in its way as the " Carlyle " or the " Miss Alexander," he proclaims that the master stands in no relation to the moment at...sadness — having no part in the progress of his fellow-men. Art is entirely wayward and capricious, and the majority of people have no business with... | |
| John Milton Berdan, John Richie Schultz, Hewette Elwell Joyce - 1915 - 472 Seiten
...warning, and a finger-post of danger, they point to the disastrous effect of Art upon the middle classes. Why this lifting of the brow in deprecation of the...sadness — having no part in the progress of his fellow-men. He is also no more the product of civilisation than is the scientific truth asserted dependent... | |
| John Milton Berdan, John Richie Schultz, Hewette Elwell Joyce - 1916 - 482 Seiten
...warning, and a finger-post of danger, they point to the disastrous effect of Art upon the middle classes. Why this lifting of the brow in deprecation of the...sadness — having no part in the progress of his fellow-men. He is also no more the product of civilisation than is the scientific truth asserted dependent... | |
| Veritas (pseud.) - 1924 - 140 Seiten
...by Rude, " Christ on the Cross " by Velasquez, or " Peace " by Puvis de Chavannes, and finally say:" The master stands in no relation to the moment at...at sadness, having no part in the progress of his fellow-men " ? This whole Ten O'Clock is either a pure " fake " to " boost " all mere clever " painting,"... | |
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