Conrad in the Nineteenth CenturyUniversity of California Press, 29.06.1981 - 375 Seiten “Nothing short of a masterpiece. . . . One of the great critical works produced since the 1950s.”—New York Times |
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... Say. you. will. say you will say you will say you will forget say you will say you will say you will comeback I've been to all the same old places since you're gone but they just don't look the same and I've been out but somehow everything ...
... Say. you. will. say you will say you will say you will forget say you will say you will say you will comeback I've been to all the same old places since you're gone but they just don't look the same and I've been out but somehow everything ...
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... says, “Not all of it. Just the ... you know.” “I'm to talk about the you know?” Malcolm says, “People need to hear it.” “What people?” Malcolm says, “Everybody. These are sad times.” “I can't change the times.” Malcolm says,“It's asad ...
... says, “Not all of it. Just the ... you know.” “I'm to talk about the you know?” Malcolm says, “People need to hear it.” “What people?” Malcolm says, “Everybody. These are sad times.” “I can't change the times.” Malcolm says,“It's asad ...
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Inhalt
CHAPTER | 1 |
The Past as Prologue | 24 |
Almayers Folly | 34 |
The Nigger of the Narcissus | 68 |
Heart of Darkness | 126 |
Kurtz and the Fate | 147 |
Critical Perspectives | 168 |
The Tale | 214 |
Lord Jim | 254 |
The Narrative Progress and Its Methods | 269 |
The Roles of Time and Narrative | 286 |
Jim and Marlow | 310 |
Epilogue | 357 |
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Häufige Begriffe und Wortgruppen
actually Almayer's Folly attitude become believe Blackwood Bobrowski Brierly captain chapter character chronological civilisation Congo Conrad wrote consciousness continued crew crew's critical death Donkin doubt dream Edward Garnett effect English episode experience expression fate feeling fiction final Flaubert Ford Ford Madox Ford French Garnett Heart of Darkness hereafter cited human idea imagination impressionism impressionist individual instance James Jim's Joseph Conrad kind Kurtz larger later letter literary literature London look Lord Jim Madame Bovary Marlow Marlow says Maupassant meaning memory mind modern moral Narcissus narrative narrator nature Nigger Norman Sherry novel novelist Outpost of Progress particular passage Patna Patusan Poland Polish preface present progress psychological reader reality romantic scene seems sense ship short stories Singleton social solidarity Stein suggested surely symbolic symbolist thematic theme thing thought tion traditional truth Victorian voyage words writing York Youth Zdzisław Najder