A Philosophical Inquiry Into the Source of the Pleasures Derived from Tragic Representations: From which is Deduced the Secret of Giving Dramatic Interest to Tragedies Intended for the StageSherwood, Jones and Company, 1824 - 405 Seiten |
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Seite 69
... continue through life ; for we are so constituted by nature , that the strongest excitement soon loses its effect upon us , and the more powerfully it is suffered to act , the greater is the depression by which it is followed . A ...
... continue through life ; for we are so constituted by nature , that the strongest excitement soon loses its effect upon us , and the more powerfully it is suffered to act , the greater is the depression by which it is followed . A ...
Seite 72
... if we discover that he has , the small degree of sympathy which we could not entirely suppress while we remained in doubt , becomes instantly extinct . We may still , perhaps , continue to 72 PHILOSOPHICAL INQUIRY INTO.
... if we discover that he has , the small degree of sympathy which we could not entirely suppress while we remained in doubt , becomes instantly extinct . We may still , perhaps , continue to 72 PHILOSOPHICAL INQUIRY INTO.
Seite 73
... continue to pity , but we cannot sympathize . Our sympathies can only be elicited by those in whom we perceive no quality or disposition of mind which we ourselves would blush to avow . " Sympathy , " to use the words of a French writer ...
... continue to pity , but we cannot sympathize . Our sympathies can only be elicited by those in whom we perceive no quality or disposition of mind which we ourselves would blush to avow . " Sympathy , " to use the words of a French writer ...
Seite 98
... continue to respect the one , and to detest the other ; but , wherever passion appears , no degree of vice can prevent it from softening our nature , and exciting our commiseration or pity ; whereas , in its ab- sence , no degree of ...
... continue to respect the one , and to detest the other ; but , wherever passion appears , no degree of vice can prevent it from softening our nature , and exciting our commiseration or pity ; whereas , in its ab- sence , no degree of ...
Seite 177
... continue approaching till the spectators had a distinct view of her hills , mountains , vales , woods , rivers , plains , houses , and even inhabitants ; -that having approached thus far without producing any sensible inconvenience to ...
... continue approaching till the spectators had a distinct view of her hills , mountains , vales , woods , rivers , plains , houses , and even inhabitants ; -that having approached thus far without producing any sensible inconvenience to ...
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A Philosophical Inquiry Into the Source of the Pleasures Derived from Tragic ... Martin Macdermot Keine Leseprobe verfügbar - 2017 |
A Philosophical Inquiry Into the Source of the Pleasures Derived from Tragic ... Martin Macdermot Keine Leseprobe verfügbar - 2017 |
Häufige Begriffe und Wortgruppen
acquainted action affected agreeable appear arising from Tragic audience beautiful cause character circumstances consequently curiosity degree delight derived from Tragic disagreeable distress duce endure energy enjoy enjoyment equally excite existence expression faculties feelings felt Fontenelle former genius happiness heart Helvetius Hence human nature idea ideal presence images imagination imitation impart impression influence intensity interest manner mental mind Miss Kelly modern tragedies never object observations obvious original ourselves pain passion pathy perceive perception person philosophers placed plea pleasure arising pleasure resulting poet poetical justice possess principles produce strong sensations propensity prove racter reason render Romeo and Juliet says scenes Schlegel SECRET OF GIVING sense sensible sentiments Shakspeare shew sion situation sorrow soul source of Tragic stings of conscience stoic stronger sufferings sympa sympathy taste tears theory thing tion traced tragedy Tragic Pleasure Tragic Representations tragic writer true truth tural virtue virtuous yielding
Beliebte Passagen
Seite 129 - Mine eyes are made the fools o' the other senses, Or else worth all the rest; I see thee still, And on thy blade and dudgeon gouts of blood, Which was not so before.
Seite 148 - Who sees with equal eye, as God of all, A hero perish, or a sparrow fall, Atoms or systems into ruin hurled, And now a bubble burst, and now a world.
Seite 290 - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life. His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they are the genuine progeny of common humanity, such as the world will...
Seite 179 - tis hard to combat, learns to fly ! For him no wretches born to work and weep Explore the mine or tempt the dangerous deep...
Seite 286 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then, have I reason to be fond of grief ? Fare you well: had you such a loss as I, I could give better comfort than you do.
Seite 179 - Sinks to the grave with unperceived decay, While Resignation gently slopes the way; And, all his prospects brightening to the last, His heaven commences ere the world be past.
Seite 74 - To pay the mournful tribute of his tears ? Oh ! he will tell thee, that the wealth of worlds Should ne'er seduce his bosom to forego That sacred hour, when, stealing from the noise Of care and envy, sweet remembrance soothes With Virtue's kindest looks his aching breast, And turns his tears to rapture.
Seite 384 - That for some vicious mole of nature in them As in their birth wherein they are not guilty Since nature cannot choose his origin By the o'ergrowth of some complexion Oft breaking down the pales and forts of reason...
Seite 128 - Is this a dagger which I see before me, The handle toward my hand ? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight ? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain ? I see thee yet, in form as palpable As this which now I draw.
Seite 155 - Subject, compound them, follow her and God. Love, hope, and joy, fair pleasure's smiling train, Hate, fear, and grief, the family of pain...