Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite 7
... fictional and even allegorical pole (likeThe Mousetrapand Levin's The Boy Dreams) and at others closer to the pole of historical accuracy and documentation (like Sobol's Ghetto). In order to cope with this kind of hybridity ...
... fictional and even allegorical pole (likeThe Mousetrapand Levin's The Boy Dreams) and at others closer to the pole of historical accuracy and documentation (like Sobol's Ghetto). In order to cope with this kind of hybridity ...
Seite 12
... fictional” and “theatrical” modes of such repre- sentations, although these two narrative modes are perhaps not al- ways positioned as a clear-cut dichotomy. What they have in com- mon is that theatre and performance are also ...
... fictional” and “theatrical” modes of such repre- sentations, although these two narrative modes are perhaps not al- ways positioned as a clear-cut dichotomy. What they have in com- mon is that theatre and performance are also ...
Seite 13
... fictional” performed 13 here and now of the theatrical event; they become a kind of historian, what I call a “hyper-historian,” who makes it possible for us — even in cases where the reenacted events are not fully acceptable for the ...
... fictional” performed 13 here and now of the theatrical event; they become a kind of historian, what I call a “hyper-historian,” who makes it possible for us — even in cases where the reenacted events are not fully acceptable for the ...
Seite 21
... , ” e.g. , by David in his paint- ing ) and de Sade's fictional performance in the mental hospital , where there are also baths for the treatment of the patients . The Israeli theatre has almost exclusively expressed the left -
... , ” e.g. , by David in his paint- ing ) and de Sade's fictional performance in the mental hospital , where there are also baths for the treatment of the patients . The Israeli theatre has almost exclusively expressed the left -
Seite 22
... showers situated close to the proscenium arch . Inside the fictional space they are more functional than sym- bolic . When they are part of the proscenium arch , as in the stage ver- sion, they become a symbol for the ways in which.
... showers situated close to the proscenium arch . Inside the fictional space they are more functional than sym- bolic . When they are part of the proscenium arch , as in the stage ver- sion, they become a symbol for the ways in which.
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York