Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite vii
... Brook , Marat / Sade , 102 3 Ariane Mnouchkine , 1789 , 111 Ingmar Bergman , Madame de Sade , 117 Three American Productions of Danton's Death , 135 Preface Quoting Histories ... Revolution is the mask of death. Büchner's Play and Its ...
... Brook , Marat / Sade , 102 3 Ariane Mnouchkine , 1789 , 111 Ingmar Bergman , Madame de Sade , 117 Three American Productions of Danton's Death , 135 Preface Quoting Histories ... Revolution is the mask of death. Büchner's Play and Its ...
Seite 4
... Brook and Ariane Mnouchkine's performance 1789 in 1970. The third European example dealing with the French Revolution , Ingmar Bergman's Swedish pro- duction of Yukio Mishima's play Madame de Sade in 1989 , the year of the revolutionary ...
... Brook and Ariane Mnouchkine's performance 1789 in 1970. The third European example dealing with the French Revolution , Ingmar Bergman's Swedish pro- duction of Yukio Mishima's play Madame de Sade in 1989 , the year of the revolutionary ...
Seite 21
... Brook in his production of this play , this ex- pression was thus given a much more pointed formulation than in the original , thus creating a much stronger analogy than Weiss himself probably intended . The “ final solution " as a rule ...
... Brook in his production of this play , this ex- pression was thus given a much more pointed formulation than in the original , thus creating a much stronger analogy than Weiss himself probably intended . The “ final solution " as a rule ...
Seite 22
... Brook production ) two quite large showers frame the stage on both sides of the proscenium arch . Sally Jacobs , who designed the sets for this production , has stated that this primarily placed the director of the hospital in a ...
... Brook production ) two quite large showers frame the stage on both sides of the proscenium arch . Sally Jacobs , who designed the sets for this production , has stated that this primarily placed the director of the hospital in a ...
Seite 23
... Aldwych Theatre, London, 1964. Directed by Peter Brook, designed by Sally Jacobs, costumes by Gunilla Palmstierna-Weiss. Photo by and courtesy of Sally Jacobs. 24 Introduction rhetorical strategy which has to be very carefully.
... Aldwych Theatre, London, 1964. Directed by Peter Brook, designed by Sally Jacobs, costumes by Gunilla Palmstierna-Weiss. Photo by and courtesy of Sally Jacobs. 24 Introduction rhetorical strategy which has to be very carefully.
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
Andere Ausgaben - Alle anzeigen
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York