Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite iv
... Jewish ( 1939-1945 ) , in literature . 3. France - His- tory - Revolution , 1789–1799— Literature and the revolution . I. Title . II . Series . PN1879.H65R65 809.2'9358 - dc21 2000 00-039248 00 01 02 03 04 C 5 4 3 2 1 Büchner's Play and ...
... Jewish ( 1939-1945 ) , in literature . 3. France - His- tory - Revolution , 1789–1799— Literature and the revolution . I. Title . II . Series . PN1879.H65R65 809.2'9358 - dc21 2000 00-039248 00 01 02 03 04 C 5 4 3 2 1 Büchner's Play and ...
Seite 1
... Jewish back- ground and culture. That was before the country had to face the moral dilemmas of its own existence which became so painfully apparent in 2 Introduction the wake of the Six-Day War in 1967, Introduction The Notions of ...
... Jewish back- ground and culture. That was before the country had to face the moral dilemmas of its own existence which became so painfully apparent in 2 Introduction the wake of the Six-Day War in 1967, Introduction The Notions of ...
Seite 15
... Jews was very soon counteracted by the building of the new coun- try, through which an ideological narrative ... Jewish bravery and self-determination in the face of the systematic murders, as well as to the “resurrection” or the ...
... Jews was very soon counteracted by the building of the new coun- try, through which an ideological narrative ... Jewish bravery and self-determination in the face of the systematic murders, as well as to the “resurrection” or the ...
Seite 17
... Jewish people, and in particular for Israeli so- ciety, symbolically at least bringing some kind of apocalyptic closure to history. In view of this, the ironic dystopian dimensions expressed by some of the Israeli Shoah productions, as ...
... Jewish people, and in particular for Israeli so- ciety, symbolically at least bringing some kind of apocalyptic closure to history. In view of this, the ironic dystopian dimensions expressed by some of the Israeli Shoah productions, as ...
Seite 21
... Jews as it was conceived and carried out by the Nazis . In 1964 , when Peter Brook staged Marat / Sade with the Royal Shakespeare Company at the Aldwych Theatre , Susan Sontag noted that the play evoked , even required , a modern ...
... Jews as it was conceived and carried out by the Nazis . In 1964 , when Peter Brook staged Marat / Sade with the Royal Shakespeare Company at the Aldwych Theatre , Susan Sontag noted that the play evoked , even required , a modern ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York