Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Ergebnisse 1-5 von 32
Seite vii
... Sobol , Ghetto , 38 Dudu Ma'ayan , Arbeit macht frei vom Toitland Europa , 56 Hanoch Levin , The Boy Dreams , 76 2 Three European Productions about the French Revolution , 99 Peter Brook , Marat / Sade , 102 3 Ariane Mnouchkine , 1789 ...
... Sobol , Ghetto , 38 Dudu Ma'ayan , Arbeit macht frei vom Toitland Europa , 56 Hanoch Levin , The Boy Dreams , 76 2 Three European Productions about the French Revolution , 99 Peter Brook , Marat / Sade , 102 3 Ariane Mnouchkine , 1789 ...
Seite xiii
... , Claude Schumacher , Yehoshua Sobol , Dan Urian , Christel Weiler , and Bill Worthen . To Tom Postlewait I offer not only thanks for his editorial xiii Preface xiv Preface care and confidence, but my great appreciation; to.
... , Claude Schumacher , Yehoshua Sobol , Dan Urian , Christel Weiler , and Bill Worthen . To Tom Postlewait I offer not only thanks for his editorial xiii Preface xiv Preface care and confidence, but my great appreciation; to.
Seite 5
... Sobol's Ghetto, which premiered in 1984, is probably the most widely known. It has been produced at more than fifty theatres all over the world, mainly in the German-speaking coun- tries. Dudu Ma'ayan's production of Arbeit macht frei ...
... Sobol's Ghetto, which premiered in 1984, is probably the most widely known. It has been produced at more than fifty theatres all over the world, mainly in the German-speaking coun- tries. Dudu Ma'ayan's production of Arbeit macht frei ...
Seite 7
... Sobol's Ghetto). In order to cope with this kind of hybridity, performances about history frequently also draw attention to different metatheatrical dimensions of the performance, frequently showing directly on the stage how ...
... Sobol's Ghetto). In order to cope with this kind of hybridity, performances about history frequently also draw attention to different metatheatrical dimensions of the performance, frequently showing directly on the stage how ...
Seite 30
... presence of the Shoah in the Israeli consciousness is at the same time both a challenge and a burden for the Israeli theatre . It is no doubt a truism to say that the French pears again and again . The rhetorical structure of Sobol's.
... presence of the Shoah in the Israeli consciousness is at the same time both a challenge and a burden for the Israeli theatre . It is no doubt a truism to say that the French pears again and again . The rhetorical structure of Sobol's.
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York