Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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... WEISS DEN TAG Deutscher Text : Karl - Heinz Reichel 4 Takte = 10sed 1. Keiner weiß den Tag , keiner kennt den 2. Ei - ner kennt den Weg , ei- ner kennt den ま 40 Musik : Emil Stern Klavier - Arr .: Hans - Georg Schindler Weg , Tag den ...
... WEISS DEN TAG Deutscher Text : Karl - Heinz Reichel 4 Takte = 10sed 1. Keiner weiß den Tag , keiner kennt den 2. Ei - ner kennt den Weg , ei- ner kennt den ま 40 Musik : Emil Stern Klavier - Arr .: Hans - Georg Schindler Weg , Tag den ...
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... Weiss knew had been reported by Raymond Moody, a psychiatrist who specialized in near-death experiences. Weiss read more about reincarnation and began to accept that parapsychology is a viable part of medical science. After experiencing ...
... Weiss knew had been reported by Raymond Moody, a psychiatrist who specialized in near-death experiences. Weiss read more about reincarnation and began to accept that parapsychology is a viable part of medical science. After experiencing ...
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... Weiss was a particular target for such oppression. As the Nazi's persecution of Jews became more violent, the Weiss family fled Germany in 1935, settling near London where Weiss was sent to take photography classes, since his family ...
... Weiss was a particular target for such oppression. As the Nazi's persecution of Jews became more violent, the Weiss family fled Germany in 1935, settling near London where Weiss was sent to take photography classes, since his family ...
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... Weiss recounts how Vinnie's criminal activities were confined to loan-sharking, racketeering, and extortion, which, while serious, were not the most heinous offenses by mob standards. Vinnie managed to negotiate plea deals and served ...
... Weiss recounts how Vinnie's criminal activities were confined to loan-sharking, racketeering, and extortion, which, while serious, were not the most heinous offenses by mob standards. Vinnie managed to negotiate plea deals and served ...
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... Weiss tried to comfort her through the experience of giving birth in that past life . She described her family , including her husband and her uncle , who was Weiss in that life . She talked about her village life , her father's death ...
... Weiss tried to comfort her through the experience of giving birth in that past life . She described her family , including her husband and her uncle , who was Weiss in that life . She talked about her village life , her father's death ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
Andere Ausgaben - Alle anzeigen
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York