Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Ergebnisse 1-5 von 22
Seite 4
... Weiss ' Marat / Sade directed by Peter Brook and Ariane Mnouchkine's performance 1789 in 1970. The third European example dealing with the French Revolution , Ingmar Bergman's Swedish pro- duction of Yukio Mishima's play Madame de Sade ...
... Weiss ' Marat / Sade directed by Peter Brook and Ariane Mnouchkine's performance 1789 in 1970. The third European example dealing with the French Revolution , Ingmar Bergman's Swedish pro- duction of Yukio Mishima's play Madame de Sade ...
Seite 14
... Weiss' play or in the tensions between the new rulers and the common people in Mnouchkine's 1789. Even the horrors of the Second World War and the Shoah are ac- tually the results of a revolutionary movement. Mainly because these ...
... Weiss' play or in the tensions between the new rulers and the common people in Mnouchkine's 1789. Even the horrors of the Second World War and the Shoah are ac- tually the results of a revolutionary movement. Mainly because these ...
Seite 19
... Weiss'Marat/Sade, however, very clearly problematizes the significance of such time-lags by showing a semifictional situation in the past where another perfor- mance is presented, the play written by the Marquis de Sade about the murder ...
... Weiss'Marat/Sade, however, very clearly problematizes the significance of such time-lags by showing a semifictional situation in the past where another perfor- mance is presented, the play written by the Marquis de Sade about the murder ...
Seite 20
... Weiss. For example, the Marquis de Sade's words in Peter Weiss' play (in his conversation with Marat concerning life and death in scene 12) very clearly exemplify how these discrete events are accumulated to assume common or more ...
... Weiss. For example, the Marquis de Sade's words in Peter Weiss' play (in his conversation with Marat concerning life and death in scene 12) very clearly exemplify how these discrete events are accumulated to assume common or more ...
Seite 21
... Weiss ' play , Coulmier , the director of the hospital , extends his thanks to the inmates and in particular to Sade and adds : I agree with our author Monsieur de Sade 21 Introduction Sally Jacobs's model for the production of Peter ...
... Weiss ' play , Coulmier , the director of the hospital , extends his thanks to the inmates and in particular to Sade and adds : I agree with our author Monsieur de Sade 21 Introduction Sally Jacobs's model for the production of Peter ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
Andere Ausgaben - Alle anzeigen
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York