Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Ergebnisse 1-5 von 73
Seite xi
... actor's being and doing " this thing " on the stage , appearing again in tonight's performance , continuously performing a return of the repressed on the theatrical stage . History can only be perceived as such when it becomes ...
... actor's being and doing " this thing " on the stage , appearing again in tonight's performance , continuously performing a return of the repressed on the theatrical stage . History can only be perceived as such when it becomes ...
Seite 2
... actors in creating what I refer to as theatrical energies connect- ing them to a specific historical past. I also try to say something about the ways in which these performances have been received by their respective audiences and how ...
... actors in creating what I refer to as theatrical energies connect- ing them to a specific historical past. I also try to say something about the ways in which these performances have been received by their respective audiences and how ...
Seite 3
... actors on the stage. They perform the historical figures from the past on the stage, relying on different kinds of theatrical energies, a notion that is central for this study. It refers to the restorative potentials of the the- atre in ...
... actors on the stage. They perform the historical figures from the past on the stage, relying on different kinds of theatrical energies, a notion that is central for this study. It refers to the restorative potentials of the the- atre in ...
Seite 6
... actors on the basis of a dramatic text , the historical events are , rather , per- formed again . This understanding of the notion of performing his- tory even contains a " ghostly " dimension - enabling the dead heroes from the past to ...
... actors on the basis of a dramatic text , the historical events are , rather , per- formed again . This understanding of the notion of performing his- tory even contains a " ghostly " dimension - enabling the dead heroes from the past to ...
Seite 8
... actors are also presenting their spe- cific version of what actually happened or what is significant. In some cases ... actor cre- ates a sense of detachment or alienation (the famous V-Effekt)— how the actor's involvement in the ...
... actors are also presenting their spe- cific version of what actually happened or what is significant. In some cases ... actor cre- ates a sense of detachment or alienation (the famous V-Effekt)— how the actor's involvement in the ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
Andere Ausgaben - Alle anzeigen
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York