Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite xi
... appear ( again tonight ) and where there is no continuity and causality , it is indeed impossible to be a historian . There is room for historians only in a world where it is pos- sible to establish relations between the past and the ...
... appear ( again tonight ) and where there is no continuity and causality , it is indeed impossible to be a historian . There is room for historians only in a world where it is pos- sible to establish relations between the past and the ...
Seite 6
... appear- ance of the ghost of Hamlet's father on the " platform " where the sen- tinels watch and wait for this thing which appears every night . On the metatheatrical level , however , this question also implies that the re- pressed ...
... appear- ance of the ghost of Hamlet's father on the " platform " where the sen- tinels watch and wait for this thing which appears every night . On the metatheatrical level , however , this question also implies that the re- pressed ...
Seite 12
... appear and move in an architectural-theatrical space, consti- tuting what is termed the mise-en-scène. Of course, this does not im- ply that the actors performing history are transformed into histori- cal figures or believe that they ...
... appear and move in an architectural-theatrical space, consti- tuting what is termed the mise-en-scène. Of course, this does not im- ply that the actors performing history are transformed into histori- cal figures or believe that they ...
Seite 18
... appears as a dramatic character in two of the performances ex- amined here ( Marat / Sade and Madame de Sade ) , is one such link , and his ideas have frequently been analyzed in the post - Auschwitz context , where both similarities ...
... appears as a dramatic character in two of the performances ex- amined here ( Marat / Sade and Madame de Sade ) , is one such link , and his ideas have frequently been analyzed in the post - Auschwitz context , where both similarities ...
Seite 31
... appearing more or less by itself . It is very difficult to understand exactly how and for what aesthetic and ideological reasons such hy- brid generic forms of theatre evolve . In this particular case it seems clear , though , that as ...
... appearing more or less by itself . It is very difficult to understand exactly how and for what aesthetic and ideological reasons such hy- brid generic forms of theatre evolve . In this particular case it seems clear , though , that as ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
Andere Ausgaben - Alle anzeigen
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York