Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite 11
... characters of Greek tragedy usually belong “to a sphere of existence quite different from that of the audience. By being set on stage, they are made to seem present, characters truly there, although at the same time they are portrayed ...
... characters of Greek tragedy usually belong “to a sphere of existence quite different from that of the audience. By being set on stage, they are made to seem present, characters truly there, although at the same time they are portrayed ...
Seite 18
... character in two of the performances ex- amined here ( Marat / Sade and Madame de Sade ) , is one such link , and his ideas have frequently been analyzed in the post - Auschwitz context , where both similarities and differences between ...
... character in two of the performances ex- amined here ( Marat / Sade and Madame de Sade ) , is one such link , and his ideas have frequently been analyzed in the post - Auschwitz context , where both similarities and differences between ...
Seite 33
... character is presented on the stage , in order to function as a witness . But the witness is not the only element of a theatre performance , no mat- ter how central he or she is in creating a basic authenticity . There- fore the more ...
... character is presented on the stage , in order to function as a witness . But the witness is not the only element of a theatre performance , no mat- ter how central he or she is in creating a basic authenticity . There- fore the more ...
Seite 35
... performances the characters were reenacting and reliving their traumas. Some of the critics even felt that this was uncannily realistic. 35 Israeli Shoah Performances 36 Israeli Shoah In both of these performances the humiliating.
... performances the characters were reenacting and reliving their traumas. Some of the critics even felt that this was uncannily realistic. 35 Israeli Shoah Performances 36 Israeli Shoah In both of these performances the humiliating.
Seite 37
... characters and as on-stage spectators who in turn become witnesses of the testimony of the sur- vivor. The performance sets up a chain of witnesses, beginning with the survivor-witness who passes on a painful experience. The ...
... characters and as on-stage spectators who in turn become witnesses of the testimony of the sur- vivor. The performance sets up a chain of witnesses, beginning with the survivor-witness who passes on a painful experience. The ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York