Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite xii
... confront this sense of sepa- ration and exclusion, enabling us to believe in the witnesses who have seen what in some way has to be told again. What other possibility remains unless we are willing to submit ourselves to a discourse or a ...
... confront this sense of sepa- ration and exclusion, enabling us to believe in the witnesses who have seen what in some way has to be told again. What other possibility remains unless we are willing to submit ourselves to a discourse or a ...
Seite 1
... confronts the ways in which such historical pasts have been represented on the stage but also ex- amines the significance of such representations in different national contexts: in the United States and in Europe in performances about ...
... confronts the ways in which such historical pasts have been represented on the stage but also ex- amines the significance of such representations in different national contexts: in the United States and in Europe in performances about ...
Seite 2
... confront the ques- tion why, after Auschwitz, it has still not been possible to solve the moralissuesresultingfromthefoundationofahomelandfortheJews. In what follows I show how the theatre has confronted these issues. Today, at the turn ...
... confront the ques- tion why, after Auschwitz, it has still not been possible to solve the moralissuesresultingfromthefoundationofahomelandfortheJews. In what follows I show how the theatre has confronted these issues. Today, at the turn ...
Seite 3
... confront these painful failures, on the other. This awareness is enhanced by the live presence of the actors on the ... confronts the issues of collective identity and transgression. In order to examine the complex notion of performing ...
... confront these painful failures, on the other. This awareness is enhanced by the live presence of the actors on the ... confronts the issues of collective identity and transgression. In order to examine the complex notion of performing ...
Seite 10
... confronts the ten- sions between such narrative principles of selection , on the one hand , and the seemingly ... confronted on the stage when performing history . Among the classical Greek dramas which have been preserved there exists ...
... confronts the ten- sions between such narrative principles of selection , on the one hand , and the seemingly ... confronted on the stage when performing history . Among the classical Greek dramas which have been preserved there exists ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
Andere Ausgaben - Alle anzeigen
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York