Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite 1
... contexts: in the United States and in Europe in performances about the French Revolution and in Israel in performances about the Shoah. Thespecificoverviewoftheatreperforminghistorypresentedhere in a way reflects my own personal ...
... contexts: in the United States and in Europe in performances about the French Revolution and in Israel in performances about the Shoah. Thespecificoverviewoftheatreperforminghistorypresentedhere in a way reflects my own personal ...
Seite 2
... contexts, pointing out the great diversity of this form of theatre but also its common features. In analyzing such performances I draw attention to the complex collective efforts of playwrights, directors, designers, and actors in ...
... contexts, pointing out the great diversity of this form of theatre but also its common features. In analyzing such performances I draw attention to the complex collective efforts of playwrights, directors, designers, and actors in ...
Seite 3
... contexts. Collective identities, whether they are cultural/ethnic, national, or even transnational, grow from a sense of the past; the theatre very forcefully participates in the ongoing representations and debates about these pasts ...
... contexts. Collective identities, whether they are cultural/ethnic, national, or even transnational, grow from a sense of the past; the theatre very forcefully participates in the ongoing representations and debates about these pasts ...
Seite 5
... context, even though it has toured to a large number of major cities and theatre venues throughout the world. Of the ... contexts. Since the spectrum of issues is very broad, and since the ways in which the dif- ferent historical ...
... context, even though it has toured to a large number of major cities and theatre venues throughout the world. Of the ... contexts. Since the spectrum of issues is very broad, and since the ways in which the dif- ferent historical ...
Seite 8
... context is not the ways in which the actor cre- ates a sense of detachment or alienation (the famous V-Effekt)— how the actor's involvement in the theatrical action affects the spec- tator (an issue I take up from a somewhat different ...
... context is not the ways in which the actor cre- ates a sense of detachment or alienation (the famous V-Effekt)— how the actor's involvement in the theatrical action affects the spec- tator (an issue I take up from a somewhat different ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York