Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite xii
... difficult moral and aes- thetic issues of our time. Primo Levi, in The Drowned and the Saved, takes an additional step with regard to who can bear witness about that past. He claims that even we the survivors, are not the true witnesses ...
... difficult moral and aes- thetic issues of our time. Primo Levi, in The Drowned and the Saved, takes an additional step with regard to who can bear witness about that past. He claims that even we the survivors, are not the true witnesses ...
Seite 5
... difficult and complex task of performing history. Poetry and History The notion of performing history, chosen for the title of this study, is intentionally ambiguous because the terms “performance” and “history” can align in a number of ...
... difficult and complex task of performing history. Poetry and History The notion of performing history, chosen for the title of this study, is intentionally ambiguous because the terms “performance” and “history” can align in a number of ...
Seite 11
... difficult to draw a sharp line between the ve- racity of a historical reality and the sense that the characters belong to this kind of “invisible beyond” of fiction and myth. The genre of his- torical drama — as it has developed from ...
... difficult to draw a sharp line between the ve- racity of a historical reality and the sense that the characters belong to this kind of “invisible beyond” of fiction and myth. The genre of his- torical drama — as it has developed from ...
Seite 30
... difficult to say at this point what the ideological and political impact of these perceptions has been . It seems to me that since the early 1990s , when two of the performances examined here premiered , the more established Israeli ...
... difficult to say at this point what the ideological and political impact of these perceptions has been . It seems to me that since the early 1990s , when two of the performances examined here premiered , the more established Israeli ...
Seite 31
... difficult task . The concreteness of the theatrical me- dium itself and primarily the terrible realities of the Nazi era — still real as private memories to many Israelis and passed on to the second and third generations as an ...
... difficult task . The concreteness of the theatrical me- dium itself and primarily the terrible realities of the Nazi era — still real as private memories to many Israelis and passed on to the second and third generations as an ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York