Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite 6
... metatheatrical level , however , this question also implies that the re- pressed ghostly figures and events from that ( “ real ” ) historical past can ( re ) appear on the stage in theatrical performances . The actors per- forming such ...
... metatheatrical level , however , this question also implies that the re- pressed ghostly figures and events from that ( “ real ” ) historical past can ( re ) appear on the stage in theatrical performances . The actors per- forming such ...
Seite 7
... metatheatrical dimensions of the performance, frequently showing directly on the stage how performances about his- tory are constructed. The making of a performance about history and the making of history as a “theatrical” event are ...
... metatheatrical dimensions of the performance, frequently showing directly on the stage how performances about his- tory are constructed. The making of a performance about history and the making of history as a “theatrical” event are ...
Seite 36
... metatheatrical aspects of the historical narrative , can the story of that past be told on the stage . The forms given to this kind of performance of history in the Israeli theatre , on both thematic and structural levels , have ...
... metatheatrical aspects of the historical narrative , can the story of that past be told on the stage . The forms given to this kind of performance of history in the Israeli theatre , on both thematic and structural levels , have ...
Seite 37
... metatheatrical device is of course not restricted to perfor- mances about the Shoah. But in Shoah performances, more clearly than in other performances, this device serves as the basis for an 37 Israeli Shoah Performances 38 Israeli ...
... metatheatrical device is of course not restricted to perfor- mances about the Shoah. But in Shoah performances, more clearly than in other performances, this device serves as the basis for an 37 Israeli Shoah Performances 38 Israeli ...
Seite 63
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Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York