Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite 6
... museum , where something from the past , instead of being reenacted on the stage , is preserved , displayed , and perhaps even reconstructed like an archaeological site . It can also be distinguished from different forms of documentary ...
... museum , where something from the past , instead of being reenacted on the stage , is preserved , displayed , and perhaps even reconstructed like an archaeological site . It can also be distinguished from different forms of documentary ...
Seite 22
... Museum in London ( but not in the much more widely distributed film version of the Brook production ) two quite large showers frame the stage on both sides of the proscenium arch . Sally Jacobs , who designed the sets for this ...
... Museum in London ( but not in the much more widely distributed film version of the Brook production ) two quite large showers frame the stage on both sides of the proscenium arch . Sally Jacobs , who designed the sets for this ...
Seite 24
... museums or exhibits . In the Beit Hashoah Museum of Tolerance in Los Angeles , for example , it is quite openly employed . This is a museum telling about the Shoah which begins by asking its visitors to look at pictures from the Los ...
... museums or exhibits . In the Beit Hashoah Museum of Tolerance in Los Angeles , for example , it is quite openly employed . This is a museum telling about the Shoah which begins by asking its visitors to look at pictures from the Los ...
Seite 28
... museum in Washington, D.C., is of American soldiers arriving in one of the death camps. The German perspective, in trying to cope with the murder of six million Jews during the Second World War, has inevitably been influenced by the ...
... museum in Washington, D.C., is of American soldiers arriving in one of the death camps. The German perspective, in trying to cope with the murder of six million Jews during the Second World War, has inevitably been influenced by the ...
Seite 56
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Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York