Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite 6
... narrative writing . The- atrical performances about historical events are aesthetic adaptations or revisions of events that we more or less intuitively ( or on the basis of some form of general knowledge or accepted consensus ) know ...
... narrative writing . The- atrical performances about historical events are aesthetic adaptations or revisions of events that we more or less intuitively ( or on the basis of some form of general knowledge or accepted consensus ) know ...
Seite 8
... narrative presented by a historian may be based on a specific point of view and on different vested interests; that it is this historian's individual version of what actually happened, whatever the notion “wie es eigentlich gewesen war ...
... narrative presented by a historian may be based on a specific point of view and on different vested interests; that it is this historian's individual version of what actually happened, whatever the notion “wie es eigentlich gewesen war ...
Seite 9
... narrative in a manner which is closely related to the notion of performing his- tory . Aristotle's distinction in ... narratives and 9 Introduction IO Introduction thus no doubt saw the significance and relevance.
... narrative in a manner which is closely related to the notion of performing his- tory . Aristotle's distinction in ... narratives and 9 Introduction IO Introduction thus no doubt saw the significance and relevance.
Seite 10
... narrative selection and goes on to argue that , “ although the Trojan War had a beginning and an end , he [ Homer ] did not attempt to put the whole of it into his poem ; it would have been too large a subject to be taken in all at once ...
... narrative selection and goes on to argue that , “ although the Trojan War had a beginning and an end , he [ Homer ] did not attempt to put the whole of it into his poem ; it would have been too large a subject to be taken in all at once ...
Seite 12
... narrative structures which in turn rely on complex rhetorical and aesthetic conventions. Michel de Certeau, who basically holds the same position, has suggested that fiction and historiography are closely related and even in some re ...
... narrative structures which in turn rely on complex rhetorical and aesthetic conventions. Michel de Certeau, who basically holds the same position, has suggested that fiction and historiography are closely related and even in some re ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York