Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite iv
... possible to reach . The publication of this book was generously supported by the University of Iowa Foundation . Printed on acid - free paper. Library of Congress Cataloging - in - Publication Data Rokem , Freddie , 1945 – Performing ...
... possible to reach . The publication of this book was generously supported by the University of Iowa Foundation . Printed on acid - free paper. Library of Congress Cataloging - in - Publication Data Rokem , Freddie , 1945 – Performing ...
Seite xi
... possible to ask not only if the things that appear again are natural phenomena but if they are trig- gered by some kind of agency , creating a pattern , not just a mechani- cal repetition . That is no doubt why Marcellus ( in the Folio ...
... possible to ask not only if the things that appear again are natural phenomena but if they are trig- gered by some kind of agency , creating a pattern , not just a mechani- cal repetition . That is no doubt why Marcellus ( in the Folio ...
Seite xii
... possible for the ac- tor to become a witness for the now dead witnesses. This contests Paul Celan's historigraphically untenable “position” (but emotionally probably the only one possible), expressed in his poem “Aschenglo- rie.” In ...
... possible for the ac- tor to become a witness for the now dead witnesses. This contests Paul Celan's historigraphically untenable “position” (but emotionally probably the only one possible), expressed in his poem “Aschenglo- rie.” In ...
Seite 1
... possible form of human agency since the Second World War. Although the French Revolution and the Shoah took place on European soil, both of them have no doubt profoundly influenced the whole world. This study thus not only confronts the ...
... possible form of human agency since the Second World War. Although the French Revolution and the Shoah took place on European soil, both of them have no doubt profoundly influenced the whole world. This study thus not only confronts the ...
Seite 2
... possible to solve the moralissuesresultingfromthefoundationofahomelandfortheJews. In what follows I show how the theatre has confronted these issues. Today, at the turn of the millennium, United States hegemony in the world has become a ...
... possible to solve the moralissuesresultingfromthefoundationofahomelandfortheJews. In what follows I show how the theatre has confronted these issues. Today, at the turn of the millennium, United States hegemony in the world has become a ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York