Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite x
... present . The vision of the Israeli playwright Hanoch Levin is informed by an anguish about history to which he gives a cynical expression . The mother , Tsescha , says : If I did not know that we are living [ in ] history I wouldn't be ...
... present . The vision of the Israeli playwright Hanoch Levin is informed by an anguish about history to which he gives a cynical expression . The mother , Tsescha , says : If I did not know that we are living [ in ] history I wouldn't be ...
Seite xi
... present . And his- tory can be performed , in the world and on the theatrical stage too , when different structures of time ( besides the daily reappearance of the sun ) , can be distinguished , making it possible to ask not only if the ...
... present . And his- tory can be performed , in the world and on the theatrical stage too , when different structures of time ( besides the daily reappearance of the sun ) , can be distinguished , making it possible to ask not only if the ...
Seite xii
... present- ing events from the French Revolution and the Second World War is that the theatre can seduce us to believe that it is possible for the ac- tor to become a witness for the now dead witnesses. This contests Paul Celan's ...
... present- ing events from the French Revolution and the Second World War is that the theatre can seduce us to believe that it is possible for the ac- tor to become a witness for the now dead witnesses. This contests Paul Celan's ...
Seite xiii
... present , or what is present its light on what is past ; rather , image is that wherein what has been comes together in a flash with the now to form a constellation.3 The theatre performing history , as this book shows , can become such ...
... present , or what is present its light on what is past ; rather , image is that wherein what has been comes together in a flash with the now to form a constellation.3 The theatre performing history , as this book shows , can become such ...
Seite 3
... present a comprehensive survey of the post –World War II historical drama. Instead I consider a limited num- ber of performances about the French Revolution and the Shoah which have been produced in different contexts and for very ...
... present a comprehensive survey of the post –World War II historical drama. Instead I consider a limited num- ber of performances about the French Revolution and the Shoah which have been produced in different contexts and for very ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York