Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Seite xii
... reflected on the possibility of bearing witness about the Shoah after the “natural” death of the survivors: Niemand zeugt für den Zeugen Nobody can bear witness for the witnesses, Celan says. No one but the survivors themselves can ...
... reflected on the possibility of bearing witness about the Shoah after the “natural” death of the survivors: Niemand zeugt für den Zeugen Nobody can bear witness for the witnesses, Celan says. No one but the survivors themselves can ...
Seite xiii
... reflected on what still makes the past legible for us : It's not that what is past casts its light on what is present , or what is present its light on what is past ; rather , image is that wherein what has been comes together in a ...
... reflected on what still makes the past legible for us : It's not that what is past casts its light on what is present , or what is present its light on what is past ; rather , image is that wherein what has been comes together in a ...
Seite 1
... reflects my own personal “history.” I was born in Europe af- ter the end of the Second World War, more specifically in Stockholm, Sweden, a country which (after having made some serious moral com- promises) was actually spared from ...
... reflects my own personal “history.” I was born in Europe af- ter the end of the Second World War, more specifically in Stockholm, Sweden, a country which (after having made some serious moral com- promises) was actually spared from ...
Seite 4
... reflects some of the more general concerns , not only of this specific genre , but in some respects even of the post - World War II theatre in general . Chapter 1 carefully examines Israeli productions about the Shoah and also presents ...
... reflects some of the more general concerns , not only of this specific genre , but in some respects even of the post - World War II theatre in general . Chapter 1 carefully examines Israeli productions about the Shoah and also presents ...
Seite 20
... reflected in the play by its early pro- ductions. But Marat/Sade also bridges the much longer time-gap be- tween the French Revolution and the period we are now living in; subsequently, every performance or reading of the play will have ...
... reflected in the play by its early pro- ductions. But Marat/Sade also bridges the much longer time-gap be- tween the French Revolution and the period we are now living in; subsequently, every performance or reading of the play will have ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
Andere Ausgaben - Alle anzeigen
Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York