Performing History: Theatrical Representations of the Past in Conetmporary TheatreUniversity of Iowa Press, 25.04.2002 - 256 Seiten In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together. |
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Ergebnisse 1-5 von 28
Seite vii
... 187 Textual Energies , 192 From Textual to Performative Energies , 194 Performance Energies , 196 The Eavesdropper and the Survivor - Witness , 202 Metaphysical Energies , 206 Epilogue , 209 Notes , 217 Bibliography , 227 Index , 241.
... 187 Textual Energies , 192 From Textual to Performative Energies , 194 Performance Energies , 196 The Eavesdropper and the Survivor - Witness , 202 Metaphysical Energies , 206 Epilogue , 209 Notes , 217 Bibliography , 227 Index , 241.
Seite xii
... survivors themselves can become a witness about what happened in the Shoah. The attempt to represent Auschwitz by ... survivors, are not the true witnesses . . . We survivors are not only an exiguous but also an anomalous minority: we ...
... survivors themselves can become a witness about what happened in the Shoah. The attempt to represent Auschwitz by ... survivors, are not the true witnesses . . . We survivors are not only an exiguous but also an anomalous minority: we ...
Seite 14
... survivors, they have been continuously reexamined by all pos- sible scholarly, pedagogical, and creative means. We are still at the stage where we learn and try to “understand” what happened and in particular how it could happen. With ...
... survivors, they have been continuously reexamined by all pos- sible scholarly, pedagogical, and creative means. We are still at the stage where we learn and try to “understand” what happened and in particular how it could happen. With ...
Seite 27
... survivors. The Israeli theatre performances dealing directly or indirectly with the Shoah must therefore be seen as an integral aspect of the more comprehensive “work of mourn- ing” and “working-through” which is an important element in ...
... survivors. The Israeli theatre performances dealing directly or indirectly with the Shoah must therefore be seen as an integral aspect of the more comprehensive “work of mourn- ing” and “working-through” which is an important element in ...
Seite 28
... survivors, the Israeli Jews who were not directly or bio- graphically affected by the Shoah itself, have integrated that trauma as a basis of identification with the state founded only three years af- ter the end of the Second World War ...
... survivors, the Israeli Jews who were not directly or bio- graphically affected by the Shoah itself, have integrated that trauma as a basis of identification with the state founded only three years af- ter the end of the Second World War ...
Inhalt
1 | |
27 | |
31 | |
38 | |
Dudu Maayan Arbeit macht frei vom Toitland Europa | 56 |
Hanoch Levin The Boy Dreams | 76 |
Three European Productions about the French Revolution | 99 |
Peter Brook MaratSade | 102 |
The Individualized Crowd | 170 |
The Execution | 179 |
Theatrical Energies | 187 |
Textual Energies | 192 |
From Textual to Performative Energies | 194 |
Performance Energies | 196 |
The Eavesdropper and the SurvivorWitness | 202 |
Metaphysical Energies | 206 |
Ariane Mnouchkine 1789 | 111 |
Ingmar Bergman Madame de Sade | 117 |
Three American Productions of Dantons Death | 135 |
Büchners Play and Its Beholders | 141 |
The Production Qualities | 162 |
Epilogue | 209 |
Notes | 217 |
Bibliography | 227 |
Index | 236 |
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Performing History: Theatrical Representations of the Past in Conetmporary ... Freddie Rokem Keine Leseprobe verfügbar - 2007 |
Häufige Begriffe und Wortgruppen
actors actress aesthetic Agneta Ekmanner Akko angel appear Arbeit macht frei aspects audience become Bergman Berlin Blau Blau's Boy Dreams Büchner's play characters clearly complex confront context Countess de Saint-Fond created Damiel Danton's Death directed director discourses doubt drama duction examined fantastic film formance frei vom Toitland French Revolution ghetto guillotine Habima Theatre Haifa Municipal Theatre Hanoch Hanoch Levin historian historical events historical past ideological Israeli Shoah Performances Jewish Jews kind Kittel Levin Madame de Sade mance Marat/Sade Marquis de Sade metatheatrical museum narrative Nazi notion of performing Palestinian performing history Peter Brook possible present production of Danton's Robespierre role Royal Dramatic Theatre scene Second World seems Selma Sobol social specific spectators Srulik stage Stina Ekblad survivor theatre performances Theatrical Energies threat Three American Productions Three European Productions tion Toitland Europa Tora shrine transformed victims Vilna ghetto Weiss Wilson witness York