The Cambridge Companion to Shakespeare's History PlaysMichael Hattaway Cambridge University Press, 05.12.2002 Shakespeare's history plays have been performed more in recent years than ever before, in Britain, North America, and in Europe. This 2002 volume provides an accessible, wide-ranging and informed introduction to Shakespeare's history and Roman plays. It is attentive throughout to the plays as they have been performed over the centuries since they were written. The first part offers accounts of the genre of the history play, of Renaissance historiography, of pageants and masques, and of women's roles, as well as comparisons with history plays in Spain and the Netherlands. Chapters in the second part look at individual plays as well as other Shakespearean texts which are closely related to the histories. The Companion offers a full bibliography, genealogical tables, and a list of principal and recurrent characters. It is a comprehensive guide for students, researchers and theatre-goers alike. |
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... Elizabethan historiographyand Shakespeare's sources Dominique GoyBlanquet 5 Women's rolesinthe Elizabethan history plays PhyllisRackin PART 2: THEPLAYS 6 Plantagenets, Lancastrians, Yorkists, and Tudors: 1–3 Henry VI, Richard III ...
... Elizabethan historiographyand Shakespeare's sources Dominique GoyBlanquet 5 Women's rolesinthe Elizabethan history plays PhyllisRackin PART 2: THEPLAYS 6 Plantagenets, Lancastrians, Yorkists, and Tudors: 1–3 Henry VI, Richard III ...
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... Elizabethan designation foranactor – there is extended play with the word in4.1 of Richard II. 11 This doubleness is associatedwiththe fiction that akingwas 'twinbornwith greatness'(H5, 3.1.231), inhabiting his own body,the'body natural ...
... Elizabethan designation foranactor – there is extended play with the word in4.1 of Richard II. 11 This doubleness is associatedwiththe fiction that akingwas 'twinbornwith greatness'(H5, 3.1.231), inhabiting his own body,the'body natural ...
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... Elizabethan projects for a revivalof heroic poetry.In the October eclogue in The Shepheardes Calender Piershad sounded aclarion callfor poets: Abandon thenthe base and vilerclowne, Lyftupthyselfe out of thelowly dust: Andsing of bloody ...
... Elizabethan projects for a revivalof heroic poetry.In the October eclogue in The Shepheardes Calender Piershad sounded aclarion callfor poets: Abandon thenthe base and vilerclowne, Lyftupthyselfe out of thelowly dust: Andsing of bloody ...
Seite
... Elizabethan playhouses were not designed for illusion: therewas no question of constructing scenic likenessesof palace roomsor tavern'ordinaries', formal gardens orfields for battle.Whensuch places were evoked in dialogue, they served ...
... Elizabethan playhouses were not designed for illusion: therewas no question of constructing scenic likenessesof palace roomsor tavern'ordinaries', formal gardens orfields for battle.Whensuch places were evoked in dialogue, they served ...
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... Elizabethan world picture', and inparticular, that Shakespeare's history plays endorsed 'theTudor myth [which] presentedascheme fundamentally religious, by which events evolveunder a law of justice and under the ruling ofGod's ...
... Elizabethan world picture', and inparticular, that Shakespeare's history plays endorsed 'theTudor myth [which] presentedascheme fundamentally religious, by which events evolveunder a law of justice and under the ruling ofGod's ...
Inhalt
Shakespeare | |
Pageants masques and history | |
Elizabethan historiographyand Shakespeares sources | |
the poeticalreinvention | |
changing perspectives | |
Shakespeare andthe | |
Henry IVParts1and 2 | |
difference and identity | |
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The Cambridge Companion to Shakespeare's History Plays Michael Hattaway Eingeschränkte Leseprobe - 2002 |
The Cambridge Companion to Shakespeare's History Plays Michael Hattaway Keine Leseprobe verfügbar - 2002 |
Häufige Begriffe und Wortgruppen
action actors andhis andthe Antony asthe atthe audience battle Brutus Buckingham Bullingbrook bythe Caesar Cambridge Companion character Chorus chroniclers contemporary Coriolanus crown cycle Cymbeline death Dekker dramatic dramatised Duke Earl edited Edmund Edward Edward III Elizabeth Elizabethan England English history Falstaff father figure France French fromthe garden Gaunt Gloucester Hal’s hath Hattaway Henry IV plays Henry VI Henry VIII Henry’s HenryVI Holinshed honour Hotspur inthe James Joan Jonson Julius Caesar Katherine King Henry King John King’s Lord Macbeth Margaret masques modern monarch moral murder narrative ofhis ofthe onthe pageant performance Plantagenet play’s Plutarch political Prince production Queen Rackin reign representation rhetoric Richard Richard III Richard’s RichardIII role Roman Rome royal Royal Shakespeare Company scene Shakespeare’s history plays Shakespeare’s play speech stadholder stage tetralogy thatthe theatre theatrical thefirst theplay Thomas thou Titus Titus Andronicus tothe tragedy Tudor withthe women words York Yorkists