The Cambridge Companion to Shakespeare's History PlaysMichael Hattaway Cambridge University Press, 05.12.2002 Shakespeare's history plays have been performed more in recent years than ever before, in Britain, North America, and in Europe. This 2002 volume provides an accessible, wide-ranging and informed introduction to Shakespeare's history and Roman plays. It is attentive throughout to the plays as they have been performed over the centuries since they were written. The first part offers accounts of the genre of the history play, of Renaissance historiography, of pageants and masques, and of women's roles, as well as comparisons with history plays in Spain and the Netherlands. Chapters in the second part look at individual plays as well as other Shakespearean texts which are closely related to the histories. The Companion offers a full bibliography, genealogical tables, and a list of principal and recurrent characters. It is a comprehensive guide for students, researchers and theatre-goers alike. |
Im Buch
Ergebnisse 1-5 von 20
Seite
... bythe imperative of social equality and grounded in scriptural values. What are the characteristics of Shakespeare's histories? Shakespeare could probably count on a minimal knowledge of historicalevents in his audience7and he ...
... bythe imperative of social equality and grounded in scriptural values. What are the characteristics of Shakespeare's histories? Shakespeare could probably count on a minimal knowledge of historicalevents in his audience7and he ...
Seite
... bythe kinds of narrative they are creating, all modern historians critique their sources and write discoursesthat ... by the Lord, Iwillhave it ina particular ballad else, with mine own picture onthetop on't, Coleville kissing my foot ...
... bythe kinds of narrative they are creating, all modern historians critique their sources and write discoursesthat ... by the Lord, Iwillhave it ina particular ballad else, with mine own picture onthetop on't, Coleville kissing my foot ...
Seite
... by the players. History was indeed dangerous matter: it was not until 1608 that the depositionscene (4.1.154–317) was ... bythe Archbishop of Canterbury, John Whitgift, who prohibited further printing of certain named satires in verseand ...
... by the players. History was indeed dangerous matter: it was not until 1608 that the depositionscene (4.1.154–317) was ... bythe Archbishop of Canterbury, John Whitgift, who prohibited further printing of certain named satires in verseand ...
Seite
... by the writings of Machiavelli, a contemporary of Sir ThomasMore atthe beginning ofthe sixteenth century.In the introduction ... bythe Earlof Essex himself. 41 Marlowe's translation is significant because Lucan tookavery sceptical viewof ...
... by the writings of Machiavelli, a contemporary of Sir ThomasMore atthe beginning ofthe sixteenth century.In the introduction ... bythe Earlof Essex himself. 41 Marlowe's translation is significant because Lucan tookavery sceptical viewof ...
Seite
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Du hast die Anzeigebeschränkung für dieses Buch erreicht.
Inhalt
Shakespeare | |
Pageants masques and history | |
Elizabethan historiographyand Shakespeares sources | |
the poeticalreinvention | |
changing perspectives | |
Shakespeare andthe | |
Henry IVParts1and 2 | |
difference and identity | |
Andere Ausgaben - Alle anzeigen
The Cambridge Companion to Shakespeare's History Plays Michael Hattaway Eingeschränkte Leseprobe - 2002 |
The Cambridge Companion to Shakespeare's History Plays Michael Hattaway Keine Leseprobe verfügbar - 2002 |
Häufige Begriffe und Wortgruppen
action actors andhis andthe Antony asthe atthe audience battle Brutus Buckingham Bullingbrook bythe Caesar Cambridge Companion character Chorus chroniclers contemporary Coriolanus crown cycle Cymbeline death Dekker dramatic dramatised Duke Earl edited Edmund Edward Edward III Elizabeth Elizabethan England English history Falstaff father figure France French fromthe garden Gaunt Gloucester Hal’s hath Hattaway Henry IV plays Henry VI Henry VIII Henry’s HenryVI Holinshed honour Hotspur inthe James Joan Jonson Julius Caesar Katherine King Henry King John King’s Lord Macbeth Margaret masques modern monarch moral murder narrative ofhis ofthe onthe pageant performance Plantagenet play’s Plutarch political Prince production Queen Rackin reign representation rhetoric Richard Richard III Richard’s RichardIII role Roman Rome royal Royal Shakespeare Company scene Shakespeare’s history plays Shakespeare’s play speech stadholder stage tetralogy thatthe theatre theatrical thefirst theplay Thomas thou Titus Titus Andronicus tothe tragedy Tudor withthe women words York Yorkists