Discourse, Band 31,Ausgabe 32009 |
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Seite 231
... Nak's suffering . This noncontemporaneity provides the background for Nak's mourning of her own loss of life and love . The ghost's mourning in turn furnishes the film's most compelling mode ... Nak's grave ( Nang. Nang Nak - Ghost Wife 231.
... Nak's suffering . This noncontemporaneity provides the background for Nak's mourning of her own loss of life and love . The ghost's mourning in turn furnishes the film's most compelling mode ... Nak's grave ( Nang. Nang Nak - Ghost Wife 231.
Seite 235
... Nak's corpse burn- ing on a funeral pyre of stacked wood . As we view the piece that was taken from Nak's forehead , the final voice - over informs us that it was passed down from monk to monk as an amulet , but finally lost , and ...
... Nak's corpse burn- ing on a funeral pyre of stacked wood . As we view the piece that was taken from Nak's forehead , the final voice - over informs us that it was passed down from monk to monk as an amulet , but finally lost , and ...
Seite 236
Figure 6. Mak witnesses Nak's cremation ( Nang Nak , dir . Nonzee Nimibutr , 1999 ) . Nak's painful embodied remembering . Nak's mournful remem- brance of love can be thought to situate conjugal heterosexuality at the heart of a ...
Figure 6. Mak witnesses Nak's cremation ( Nang Nak , dir . Nonzee Nimibutr , 1999 ) . Nak's painful embodied remembering . Nak's mournful remem- brance of love can be thought to situate conjugal heterosexuality at the heart of a ...
Inhalt
The Embodied Afterlives of Translation MAR 292011 | 185 |
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
Urheberrecht | |
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