Discourse, Band 31,Ausgabe 32009 |
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Seite 192
... arts film , or wuxia . The transnational trajectories of embodied translations come through very clearly in Steimer's terminology . What she calls " Kiwi- style ' wire fu " " refers to wirework stunts modeled after Hong Kong action ...
... arts film , or wuxia . The transnational trajectories of embodied translations come through very clearly in Steimer's terminology . What she calls " Kiwi- style ' wire fu " " refers to wirework stunts modeled after Hong Kong action ...
Seite 367
... arts films in the style of the new wuxia pian in 1980 , a period in which both the publication of wuxia literature and theater attendance for the genre declined . 32 Leon Hunt isolates three stages in the development of martial arts ...
... arts films in the style of the new wuxia pian in 1980 , a period in which both the publication of wuxia literature and theater attendance for the genre declined . 32 Leon Hunt isolates three stages in the development of martial arts ...
Seite 386
... arts postures and movement ” ) . Actors who played Huang Fei Hong had to undergo martial arts training ( “ Hong Kong Popular Culture as an Interpretive Arena : The Huang Feihong Film Series , ” Screen 3 , no . 8 [ 1997 ] : 1–24 , esp ...
... arts postures and movement ” ) . Actors who played Huang Fei Hong had to undergo martial arts training ( “ Hong Kong Popular Culture as an Interpretive Arena : The Huang Feihong Film Series , ” Screen 3 , no . 8 [ 1997 ] : 1–24 , esp ...
Inhalt
The Embodied Afterlives of Translation MAR 292011 | 185 |
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
Urheberrecht | |
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