Discourse, Band 31,Ausgabe 32009 |
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Seite 339
... audiences across the diverse archipelago . At least until the seventies , however , Filipino movie audi- ences remained split along class lines . In industry parlance , “ D and E " audiences - the two lowest income categories composed ...
... audiences across the diverse archipelago . At least until the seventies , however , Filipino movie audi- ences remained split along class lines . In industry parlance , “ D and E " audiences - the two lowest income categories composed ...
Seite 348
... audience members . And two of them were " hooked . " Over a decade later , in 1984 , the year of Sharon's own transla ... audiences , students and professionals who had long preferred Hollywood product to local fare . Having begun by ...
... audience members . And two of them were " hooked . " Over a decade later , in 1984 , the year of Sharon's own transla ... audiences , students and professionals who had long preferred Hollywood product to local fare . Having begun by ...
Seite 349
... audiences for domestically produced films were lower - income filmgoers : the working class and the poor . By the 1980s , however , middle - class and upper - class spectators were screening Philippine - made films as well , in part due ...
... audiences for domestically produced films were lower - income filmgoers : the working class and the poor . By the 1980s , however , middle - class and upper - class spectators were screening Philippine - made films as well , in part due ...
Inhalt
The Embodied Afterlives of Translation MAR 292011 | 185 |
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
Urheberrecht | |
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acault achauk American Asian audiences bakya beauty body spectacles Brac Buddhist Burma Burmese Burmese Supernaturalism context cosmetics critical critique cultural desire diasporic discourses documentary Dodo's Driem economic embodiment English essay fantasy feminine feminist figure film's filmmaker Friends in High gender genre ghost global Harisu High Places Hollywood homosexual Hong Kong Ibid industry Kiều Korean Lacaba Lady Hill male Manila martial arts meinmasha Merrison's mestiza mestizo/a Minh-ha movie Myanmar Nak's Nang Nak narrative nat kadaws nat pwe nat worship national language neoliberal Nonzee Nonzee Nimibutr Nora Aunor Nora's Noranian Nu Nu Yi Perrière Philippine cinema popular production queer quotation role screen sequences sexual Sharon Cuneta social spirit medium Spiro stardom story Studies stunt performers stunting star Surname Viet Tagalog Taglish Taungbyon Festival television Thai tion transgendered translation transsexual Trinh Trinh's film University Press Việt Vietnamese visual Western wire fu woman women wuxia Xena Zoë Bell