A Short History of the English DramaHarcourt, Brace, 1921 - 260 Seiten |
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Seite ix
... Lady Gregory 230 97. William Butler Yeats 232 98. John Millington Synge 233 99. Other Recent Dramatists 234 100. Current Tendencies Bibliography Index 235 239 251 A SHORT HISTORY OF THE ENGLISH DRAMA CHAPTER I BEGINNINGS CONTENTS ix.
... Lady Gregory 230 97. William Butler Yeats 232 98. John Millington Synge 233 99. Other Recent Dramatists 234 100. Current Tendencies Bibliography Index 235 239 251 A SHORT HISTORY OF THE ENGLISH DRAMA CHAPTER I BEGINNINGS CONTENTS ix.
Seite 25
... lady by force , suggested to Ralph by Merrygreek , results in the boaster's being completely routed by the Dame's maidservants with scuttles and brooms . Goodluck himself at length returns , however ; there are explanations all around ...
... lady by force , suggested to Ralph by Merrygreek , results in the boaster's being completely routed by the Dame's maidservants with scuttles and brooms . Goodluck himself at length returns , however ; there are explanations all around ...
Seite 42
... lady of considerable standing , sat in four par- liaments , and at times managed the children of St. Paul's and of the Chapel at Blackfriars ; but he aspired in vain For texts of plays of men considered in the present chapter see ...
... lady of considerable standing , sat in four par- liaments , and at times managed the children of St. Paul's and of the Chapel at Blackfriars ; but he aspired in vain For texts of plays of men considered in the present chapter see ...
Seite 72
... lady is most famous for her combats with Benedick , a young lord of Padua , the two being simply a high development of the Rosalind and Biron of Love's Labour's Lost . Beatrice shows her true quality , however , by her firm faith in ...
... lady is most famous for her combats with Benedick , a young lord of Padua , the two being simply a high development of the Rosalind and Biron of Love's Labour's Lost . Beatrice shows her true quality , however , by her firm faith in ...
Seite 73
... lady Olivia . The sentimentalism of the Duke , the delicate humor and the grace of Viola , the boisterousness of Sir Toby , the sheer joy in life of Maria , the brainlessness of Sir Andrew , the lyricism of Feste , and the fine satire ...
... lady Olivia . The sentimentalism of the Duke , the delicate humor and the grace of Viola , the boisterousness of Sir Toby , the sheer joy in life of Maria , the brainlessness of Sir Andrew , the lyricism of Feste , and the fine satire ...
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Beliebte Passagen
Seite 181 - ... in which the virtues of private life are exhibited, rather than the vices exposed ; and the distresses rather than the faults of mankind make our interest in the piece.
Seite 94 - But deeds and language such as men do use, And persons such as Comedy would choose, When she would show an image of the times. And sport with human follies, not with crimes; Except we make 'em such, by loving still Our popular errors, when we know they're ill.
Seite 181 - But there is one argument in favour of sentimental comedy which will keep it on the stage, in spite of all that can be said against it. It is of all others the most easily written. Those abilities, that can hammer out a novel, are fully sufficient for the production of a sentimental comedy.
Seite 68 - The best in this kind are but shadows ; and the worst are no worse, if imagination amend them.
Seite 224 - Unpleasant. -The reason is pretty obvious ; their dramatic power is used to force the spectator to face unpleasant facts. No doubt all plays which deal sincerely with humanity must wound the monstrous conceit which it is the business of romance to flatter.
Seite 181 - In these plays almost all the characters are good and exceedingly generous; they are lavish enough of their tin money on the stage; and though they want humor, have abundance of sentiment and feeling. If they happen to have faults or foibles, the spectator is taught not only to pardon but to applaud them, in consideration of the goodness of their hearts...
Seite 106 - A tragi-comedy is not so called in respect of mirth and killing, but in respect it wants deaths, which is enough to make it no tragedy, yet brings some near it, which is enough to make it no comedy, which must be a representation of familiar people, with such kind of trouble as no life be questioned; so that a god is as lawful in this as in a tragedy, and mean people as in a comedy.
Seite 30 - The people, moved with the cruelty of the fact, rose in rebellion, and slew both father and mother. The nobility assembled, and most terribly destroyed the rebels ; and afterwards, for want of issue of the prince, whereby the succession of the crown became uncertain, they fell to civil war...
Seite 181 - ... consideration of the goodness of their hearts; so that folly, instead of being ridiculed, is commended, and the comedy aims at touching our passions without the power of being truly pathetic. In this manner we are likely to lose one great source of entertainment on the stage; for while the comic poet is invading the province of the tragic muse, he leaves her lovely sister quite neglected.
Seite 84 - The cloud-capp'd towers, tlie gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind.