The TempestArden Shakespeare, 1999 - 366 Seiten This edition situates The Tempest at the centre of changing cultural attitudes towards colonialism, power politics and patriarchal hierarchies, and demonstrates how the play both shaped and reflected those changing attitudes. Reflecting the concerns of a post-colonial international community, the edition emphasizes the play's worldwide cultural appropriation, and includes an extensive discussion of the play's after-life as well as an appendix of selected appropriations. The interdisciplinary editorial approach contributes a distinctively blended cultural and historical focus. |
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Seite 162
... Ariel ] Come away , servant , come ; I am ready now . Approach , my Ariel . Come . Enter ARIEL . All hail , great master ; grave sir , hail ! I come To answer thy best pleasure , be't to fly , To swim , to dive into the fire , to ride ...
... Ariel ] Come away , servant , come ; I am ready now . Approach , my Ariel . Come . Enter ARIEL . All hail , great master ; grave sir , hail ! I come To answer thy best pleasure , be't to fly , To swim , to dive into the fire , to ride ...
Seite 177
... ARIEL [ Sings . ] SPIRITS ARIEL Come unto these yellow sands , And then take hands ; Curtsied when you have , and kissed The wild waves whist ; Foot it featly here and there , And sweet sprites bear The burden . Hark , hark ! Bow - wow ...
... ARIEL [ Sings . ] SPIRITS ARIEL Come unto these yellow sands , And then take hands ; Curtsied when you have , and kissed The wild waves whist ; Foot it featly here and there , And sweet sprites bear The burden . Hark , hark ! Bow - wow ...
Seite 329
... Ariel is reason and noble sentiment . Ariel is the sublime instinct for perfectibility , by virtue of which human clay – the miserable clay of which Arimanes ' spirits spoke to Manfred1 – is exalted and converted into a creature that ...
... Ariel is reason and noble sentiment . Ariel is the sublime instinct for perfectibility , by virtue of which human clay – the miserable clay of which Arimanes ' spirits spoke to Manfred1 – is exalted and converted into a creature that ...
Inhalt
Sources | 287 |
Appropriations | 315 |
Abbreviations and references | 343 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Aeneid African Alonso American Ard² audience Bermuda Boatswain brave Caliban Capell century Ceres characters cited colonial Crane daughter Dent doth drowned Dryden & Davenant Duke Duke of Milan early edition editors emended enchanted island English European eyes F lines father Ferdinand and Miranda fish Folg² Folger Shakespeare Library Folio Gonzalo Hanmer hath human i'th isle Jacobean Johnson & Steevens Jonathan Bate José Enrique Rodó Juno King London lord magician Mannoni masque master metaphor Milan Miranda modern monster Naples Neapolitans Nicholas Rowe nymphs o'th Orgel Ovid Oxf¹ performed perhaps play play's Pope Prospero proverbial reference role Rowe Rowe³ sb.¹ scene Sebastian and Antonio sense Setebos Shakespeare ship speech spirit stage directions Stephano Stephano and Trinculo storm strange suggests Sycorax Tempest thee Theobald thing thou tion Trinculo Tunis unto verb verse F Virginia Winter's Tale word