The TempestArden Shakespeare, 1999 - 366 Seiten This edition situates The Tempest at the centre of changing cultural attitudes towards colonialism, power politics and patriarchal hierarchies, and demonstrates how the play both shaped and reflected those changing attitudes. Reflecting the concerns of a post-colonial international community, the edition emphasizes the play's worldwide cultural appropriation, and includes an extensive discussion of the play's after-life as well as an appendix of selected appropriations. The interdisciplinary editorial approach contributes a distinctively blended cultural and historical focus. |
Im Buch
Ergebnisse 1-3 von 55
Seite 41
... European exploration was rife with tempests , wrecks , miracles , monsters , devils and wondrous natives . Although ... Europe's age of discovery . Shakespeare's borrowings from several sixteenth - century travel narratives are ...
... European exploration was rife with tempests , wrecks , miracles , monsters , devils and wondrous natives . Although ... Europe's age of discovery . Shakespeare's borrowings from several sixteenth - century travel narratives are ...
Seite 75
... European wild man or an eclectic combination . And both Ariel and Caliban have flexible histories , including their ... Europeans will presumably leave the enchanted island and return to Italy after the play's conclusion , Prospero's ...
... European wild man or an eclectic combination . And both Ariel and Caliban have flexible histories , including their ... Europeans will presumably leave the enchanted island and return to Italy after the play's conclusion , Prospero's ...
Seite 119
... Europe : Image and Identity in Contemporary European Cinema , ed . Duncan Petrie ( London , 1992 ) , 9–18 ; and David Hawkes , “ “ The shadow of this time " : the Renaissance cinema of Derek Jarman ' , in By Angels Driven : The Films of ...
... Europe : Image and Identity in Contemporary European Cinema , ed . Duncan Petrie ( London , 1992 ) , 9–18 ; and David Hawkes , “ “ The shadow of this time " : the Renaissance cinema of Derek Jarman ' , in By Angels Driven : The Films of ...
Inhalt
Sources | 287 |
Appropriations | 315 |
Abbreviations and references | 343 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actor Aeneid African Alonso American Ard² audience Bermuda Boatswain brave Caliban Capell century Ceres characters cited colonial Crane daughter Dent doth drowned Dryden & Davenant Duke Duke of Milan early edition editors emended enchanted island English European eyes F lines father Ferdinand and Miranda fish Folg² Folger Shakespeare Library Folio Gonzalo Hanmer hath human i'th isle Jacobean Johnson & Steevens Jonathan Bate José Enrique Rodó Juno King London lord magician Mannoni masque master metaphor Milan Miranda modern monster Naples Neapolitans Nicholas Rowe nymphs o'th Orgel Ovid Oxf¹ performed perhaps play play's Pope Prospero proverbial reference role Rowe Rowe³ sb.¹ scene Sebastian and Antonio sense Setebos Shakespeare ship speech spirit stage directions Stephano Stephano and Trinculo storm strange suggests Sycorax Tempest thee Theobald thing thou tion Trinculo Tunis unto verb verse F Virginia Winter's Tale word