The TempestArden Shakespeare, 1999 - 366 Seiten This edition situates The Tempest at the centre of changing cultural attitudes towards colonialism, power politics and patriarchal hierarchies, and demonstrates how the play both shaped and reflected those changing attitudes. Reflecting the concerns of a post-colonial international community, the edition emphasizes the play's worldwide cultural appropriation, and includes an extensive discussion of the play's after-life as well as an appendix of selected appropriations. The interdisciplinary editorial approach contributes a distinctively blended cultural and historical focus. |
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Seite 26
... Prospero's most controversial role is that of master . In his service are Ariel , who serves under oral contract for an unstated period ( 1.2.245–50 ) , and Caliban , enslaved by Prospero a year or two earlier , the text implies , for ...
... Prospero's most controversial role is that of master . In his service are Ariel , who serves under oral contract for an unstated period ( 1.2.245–50 ) , and Caliban , enslaved by Prospero a year or two earlier , the text implies , for ...
Seite 119
... Prospero falls asleep in his chair while Ariel sneaks away to freedom.1 The most flamboyant twentieth - century representation of Prospero was Peter Greenaway's 1991 film , Prospero's Books . To Greenaway , Prospero is not simply a ...
... Prospero falls asleep in his chair while Ariel sneaks away to freedom.1 The most flamboyant twentieth - century representation of Prospero was Peter Greenaway's 1991 film , Prospero's Books . To Greenaway , Prospero is not simply a ...
Seite 172
... PROSPERO Hark in thine ear . ARIEL Exit . PROSPERO 320 CALIBAN 315 Thou earth Prospero again empha- sizes Caliban's earthiness ( cf. 274 and n . ) , in contrast to Ariel's spirituality . See Introduction , pp . 28–30 . 317 thou tortoise ...
... PROSPERO Hark in thine ear . ARIEL Exit . PROSPERO 320 CALIBAN 315 Thou earth Prospero again empha- sizes Caliban's earthiness ( cf. 274 and n . ) , in contrast to Ariel's spirituality . See Introduction , pp . 28–30 . 317 thou tortoise ...
Inhalt
Sources | 287 |
Appropriations | 315 |
Abbreviations and references | 343 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Aeneid African Alonso American Ard² audience Bermuda Boatswain brave Caliban Capell century Ceres characters cited colonial Crane daughter Dent doth drowned Dryden & Davenant Duke Duke of Milan early edition editors emended enchanted island English European eyes F lines father Ferdinand and Miranda fish Folg² Folger Shakespeare Library Folio Gonzalo Hanmer hath human i'th isle Jacobean Johnson & Steevens Jonathan Bate José Enrique Rodó Juno King London lord magician Mannoni masque master metaphor Milan Miranda modern monster Naples Neapolitans Nicholas Rowe nymphs o'th Orgel Ovid Oxf¹ performed perhaps play play's Pope Prospero proverbial reference role Rowe Rowe³ sb.¹ scene Sebastian and Antonio sense Setebos Shakespeare ship speech spirit stage directions Stephano Stephano and Trinculo storm strange suggests Sycorax Tempest thee Theobald thing thou tion Trinculo Tunis unto verb verse F Virginia Winter's Tale word