The TempestArden Shakespeare, 1999 - 366 Seiten This edition situates The Tempest at the centre of changing cultural attitudes towards colonialism, power politics and patriarchal hierarchies, and demonstrates how the play both shaped and reflected those changing attitudes. Reflecting the concerns of a post-colonial international community, the edition emphasizes the play's worldwide cultural appropriation, and includes an extensive discussion of the play's after-life as well as an appendix of selected appropriations. The interdisciplinary editorial approach contributes a distinctively blended cultural and historical focus. |
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Seite 82
... century ambivalence Eighteenth - century adaptations of The Tempest continued the Restoration's spectacular tradition . On 6 January 1716 , for example , the Drury Lane Theatre paid three shillings for ' The Shower of Fire ' , six pence ...
... century ambivalence Eighteenth - century adaptations of The Tempest continued the Restoration's spectacular tradition . On 6 January 1716 , for example , the Drury Lane Theatre paid three shillings for ' The Shower of Fire ' , six pence ...
Seite 83
... century . In 1806 , John Philip Kemble reintroduced Dorinda and Hippolito to his acting version of The Tempest , but this was to be their last gasp on the English stage . The eighteenth - century Tempest on stage and in artists ...
... century . In 1806 , John Philip Kemble reintroduced Dorinda and Hippolito to his acting version of The Tempest , but this was to be their last gasp on the English stage . The eighteenth - century Tempest on stage and in artists ...
Seite 98
... century's romanticization of Shakespeare's last play . In 1916 Caliban's aspirations to build a new world of truth and beauty still seemed plausible to New York audiences , but like Prospero's insubstantial pageant , they were a final ...
... century's romanticization of Shakespeare's last play . In 1916 Caliban's aspirations to build a new world of truth and beauty still seemed plausible to New York audiences , but like Prospero's insubstantial pageant , they were a final ...
Inhalt
Sources | 287 |
Appropriations | 315 |
Abbreviations and references | 343 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Aeneid African Alonso American Ard² audience Bermuda Boatswain brave Caliban Capell century Ceres characters cited colonial Crane daughter Dent doth drowned Dryden & Davenant Duke Duke of Milan early edition editors emended enchanted island English European eyes F lines father Ferdinand and Miranda fish Folg² Folger Shakespeare Library Folio Gonzalo Hanmer hath human i'th isle Jacobean Johnson & Steevens Jonathan Bate José Enrique Rodó Juno King London lord magician Mannoni masque master metaphor Milan Miranda modern monster Naples Neapolitans Nicholas Rowe nymphs o'th Orgel Ovid Oxf¹ performed perhaps play play's Pope Prospero proverbial reference role Rowe Rowe³ sb.¹ scene Sebastian and Antonio sense Setebos Shakespeare ship speech spirit stage directions Stephano Stephano and Trinculo storm strange suggests Sycorax Tempest thee Theobald thing thou tion Trinculo Tunis unto verb verse F Virginia Winter's Tale word